>Although sometimes disputed, I'm still with Jekyll & HYDE's opening Broadway cast as one of the best out there. Linda Eder, Robert Cucioli & Christiane Noll; not to mention the slew of other great talented ensemble and featured members of the cast.
Anthony Warlow is much better than Cucioli, at least vocally IMO.
--
I agree with Sunday In The Park With George had a perfect OBC.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
"I also love Avenue Q's original cast, especially Stephanie and Johnny T. "
I think the original Avenue Q cast was excellent. However, I much prefer Barrett over Johnny. Had Barrett would have been the original, I think that would have made it "perfect."
"How bout a little black dress?"~hannahshule
"I have a penis, not a vagina." ~munkustrap178
"i really loved the cast of the comapny '06 revival (i think it was '06 whatever the newest cast). they were brilliant in each role especially amy and bobby."
I thought the Amy understudy, Jane Pfitsch, was much better than Elizabeth Stanley.
"I can't believe someone said the '95 Company... Great talented cast but much of it miscast--though some of that blame is on the milquetoast direction I think." "I can't believe someone mentioned the '95 COMPANY either. I mean, beginning with Debra Monk's extremely miscast Joanne to LaChanze's dull "Another Hundred People," this was far from a perfect original cast."
Well, I didn't see it live, so I'm judging solely from the recording, and therefore can't comment on the direction. I thought Monk's voice suited the songs better than Stritch's (despite the fact that it was just about written for her, and her performance is clearly definitive) and Walsh's, and LaChanze gave the best vocal performance of AHP I have ever heard- it doesn't come across as dull at all, at least aurally. I also liked Gaines' voice (and lower keys) as Bobby. I also thought Burstein, Westenberg, and Cox were all vocally stronger/ more adept than their counterparts. All in all, my statement was based entirely on the vocals on the recording, and I stand by it.
The recording just sounds liek ti's lacking in life for me. I agree with many of your comments--I like Gaines' lower keys too and maybe it's just missing those great 70s original tunick orchestrations, but...
But the OBCR recording is SO electric. Id unno. I just can't back you up
Camelot (the originals have yet to be bested) Mamma Mia (Broadway cast, can't beat Louise Pitre's silver hair) On A Clear Day You Can See Forever
Also, the '95 Company revival cast is just drab. I like Boyd's voice, but he doesn't have the same skill of interpreting a song like Dean Jones. There is a rawness and bite that is missing from everyone in the cast (recording wise).
I'm surprised there have only been about 3 people on this thread to overwhelmingly point out...
GRAND HOTEL!!!
Followed closely (in my opinion) by A LITTLE NIGHT MUSIC
I must also agree with ASSASSINS (revival)
and
RENT For me, this is more of the feeling of solidarity and longevity the cast had in the show's creation from workshop to NYTW to Nederlander
...and though some may be too afraid to mention (misjudged as hugely fanboyish), but look at the list behind WICKED The obvious choices: Idina Menzel Kristin Chenoweth
But remember the great featuring cast! Norbert Leo Butz (mature and smooth) Joel Grey (legend) Carole Shelley (brought her back to spotlight) Christopher Fitzgerald (a new shorty character actor)
And a polished ensemble of new-comers that later went on to helm the other national productions (ie Kristoffer Cusick, Kristy Cates, Derrick Williams)
THANK YOU! for the information about SOUTH PACIFIC. It seems utterly ridiculous that I didn't know that little bit of trivia... It freakin' SWEEPED the Tonys (not only that Pulitzer) but basically every single award. I had no idea there existed a musical to take all 4 acting awards!!! With good reason too
If we're discussing plays, I'll throw in
DOUBT Tony-Award winners Cherry (with her ferocity) up-against Adriane (in her single scene) gave me endless chills
I AM MY OWN WIFE Haha I'm kidding (only slightly) when it comes to "cast" but nevertheless, what a singular performance by Mays
and lastly ANGELS IN AMERICA
Updated On: 11/29/08 at 01:38 AM
Wow, what show HASN'T been mentioned thus far? I think this is a hard call to define what constitutes a superior OBC, seeing that they are the first, therefore creating the roles for the first time with their own spin and making it all the more difficult to separate their interpretation of it. How about a show with miscast leads? Now that would be far more entertaining...
...And so, there I was at the stage door for "Equus". The enthused avalanche of "Harry Potter" fans was literally pushing me into the barricades. As I was thrust face-first into Daniel Radcliffe's hat, I suddenly felt the thumb of a lanky gentleman behind me pressing firmly into my back. It was then that I realized that both of his hands had Playbills, and that both arms were outstretched in front of me...
I'm gonna throw in another bid for SWEET CHARITY. I don't think anyone can surpass the shadow Gwen Verdon left over that role.
Can I say the original ON THE TOWN? I never saw it, but I saw a video of the originals about 40 years later helping Jerome Robbins restore some choreography for JEROME ROBBINS' BROADWAY. Even forty some years later, they owned those roles.
And, I'd take that original COMPANY cast over either revival any day. Elaine Stritch? Pam Myers? Dean Jones, Donna McKechnie? The whole bunch is spectacular!
One more I haven't seen mentioned often, EVITA's original Broadway cast.
Herbie: "Honey, Don't you know there's a depression?"
Rose: "Of Course I know, I Watch Fox News"
-(modified)Gypsy
Broadway Schedule
December 5th- Hamilton, On Your Feet
December 19th- Noises Off, Edith Piaf Concert at Town Hall
To the person who mentioned A NEW BRAIN - when I saw it, the original Roger, Christopher Invarr, was terrible. He could not stay on pitch. He left the show the next week. His understudy played the role for a week, and then Norm Lewis (who is heard on the cast album) took over.
The official reason for Invarr's departure was "vocal problems". I didn't realize that being tone deaf was connected with the voice.