Angela Lanbsury and Rosemary Harris are British Broadway stars that have done relatively little on the English stage and owe their success to the roles they played in American TV, cinema and theatre productions. Gertrude Lawrence and Glynis Johns were/are arguably bigger in America than in the UK too.
Tim Flavin was one of the West End leading men in the 80s and 90s, while his Broadway credits are not many and not very important. And it looks like he might have been the first American actor to win an Olivier Award, a couple of years before LuPone.
Kim Criswell was fairly active both on Broadway and in US tours during the 80s, but ever since the 90s she moved to the UK and got some of her biggest roles on the London stages, including an Olivier nomination for Annie Get Your Gun.
Not unlike Marissa, Ako Mitchell is American, but for many years he was virtually the only black leading man in London, starring in Sister Act, Ragtime, The Wild Party etc. And similarly, Joe Aaron Reid played only ensemble/small roles on Broadway (Chicago, Catch Me If You Can, Ghost, If/Then, Finian's Rainbow, Curtains) but got leading roles in the London production of In the Heights and Dreamgirls. Generally speaking, it looks like many American actors of color benefit from a general lack of diversity among British performers - and good for them!
Colm Wilkinson is Irish, but found success in London and later on in the US and Canada. Eva Noblezada herself got her big break in London, which allowed her to "make it" on Broadway. Lea Salonga's name too was - at least for a while - bigger in London and on Broadway then in the Philippines, in which she became a star in later years. I also wouldn't be surprised if Jon Jon Briones were better known in the States (due to MS and Ryan Murphy stuff) than in the Philippines.
Ethan Freeman is American, but he has become a musical theatre star in Austria and, similarly, Frank Wildhorn has shone brighter in the German-speaking world than on Broadway.
Updated On: 2/19/21 at 08:57 AM