It's depressing that a show and production this good cannot find an audience. The critics for the most part endorsed it and from all reports audiences were responding well to the material. LJay may be on to something with his theory that shows - especially new shows - need stars to drive the box office, at least until the title becomes a tourist destination (WICKED, MAMMA MIA, PHANTOM etc.)
In the NY Times story the producers indicated their target for last week was $675K - and they did not meet it. This is something I have been saying all along. I know many here look at the weekly grosses and try and guess closings and it is not that simple. Each week the producers set targets based on season averages, historic data and expectations of tickets sales at all price levels. The decision to close a show is not based on just the total gross or the average ticket price but rather whether the show is meeting its weekly targets. I don't blame the producers for making the decision to close RAGTIME, but even though Reidel's prediction proved correct, the final decision was made yesterday.
I see the same thing happening to Broadway that happened after the STAR WARS films became big box office: Audiences begin demanding more of the same...more spectacle, more star names and the producers respond at the expense of intelligent writing and insightful direction.
Like any of you I am very glad I saw this production, and I expect the closing will be an emotional experience for cast and audience.
I guess this means Cooolkid (or whatever name he goes by) will finally get to see RAGTIME.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com