#1
Posted: 9/11/11 at 3:13pm
Unless you just want to be a clotheshorse in Follies, stop ruinging the second half of "I'm Still Here" with the overacting and rotten singing.
You start off the first half great and you have a beautiful voice and I'm thinking now I'm going to hear a fabulous rendition of this song...
Then you muck it up with EGOTISTICAL, angry, staccato, crappy acting totally inappropriate for the song and RUIN the song. I can't hear the lyrics and it's a SONDHEIM--grrrrrrrr. Where the hell was "WPA" etc., etc., so I can hear WHAT you are singing about?
Elaine Stritch's rendition at her one-woman Liberty show a while back is still the definitive version for me! And she does not have the voice you have if you would use it properly for the song. Stritch had damn good acting and timing. And you can hear her lyrics.
Where is the director, the conductor, the boys having to sit by her--can't any of you rein the mare in? Or just watch and listen as she gets up and goes trotting around beserk and decides to become the Menzel to Wickedize Follies? Arrgghh!
And exactly what does this character have to get angry about with a 26-year-old boyfriend to entertain her and a successful career? Is there nothing wry or subtle or deliciously humorous in her acting pocketbook to pull out for this song?
I did like the tap dancing later, but fix this song.
You start off the first half great and you have a beautiful voice and I'm thinking now I'm going to hear a fabulous rendition of this song...
Then you muck it up with EGOTISTICAL, angry, staccato, crappy acting totally inappropriate for the song and RUIN the song. I can't hear the lyrics and it's a SONDHEIM--grrrrrrrr. Where the hell was "WPA" etc., etc., so I can hear WHAT you are singing about?
Elaine Stritch's rendition at her one-woman Liberty show a while back is still the definitive version for me! And she does not have the voice you have if you would use it properly for the song. Stritch had damn good acting and timing. And you can hear her lyrics.
Where is the director, the conductor, the boys having to sit by her--can't any of you rein the mare in? Or just watch and listen as she gets up and goes trotting around beserk and decides to become the Menzel to Wickedize Follies? Arrgghh!
And exactly what does this character have to get angry about with a 26-year-old boyfriend to entertain her and a successful career? Is there nothing wry or subtle or deliciously humorous in her acting pocketbook to pull out for this song?
I did like the tap dancing later, but fix this song.