Could you say anything more about the designs? I'm very intrigued by your comments on the similarity to PIAZZA. I think this is a bold and useful approach, since the original designs were almost monochromatic, intended to give the entire production a black and white look. Eva war less and less color as the evening progressed, and in act two, except for her dark green robe (almost black), none. I think washing the show in Argentine sun, and giving us a bit of the real Casa Rosada makes good sense. Why not capitalize on the locale? Which Hal Prince, in his Brechtian motif, chose not to. It sounds like it's got warmer lighting, too.
Can you tell us about the colors? Are they sand and sun-washed like PIAZZA?
"I'm a comedian, but in my spare time, things bother me." Garry Shandling