This is very interesting. I'm a British-Jewish theatre-maker and have been heavily involved in this debate (I was involved in the 'Jewface' open letter incident from a few years ago), and the attitude and response here in the UK/British theatre has been disappointing.
London theatre has had several antisemitism scandals lately and it's shocking how openly antisemitic people working in London theatre can be, and how little non-Jewish people seem to care about that particular form of racism.
Cultural and historical attitudes towards Jewish people are very different in the UK than in the US. Obviously the US has its own horrific history of racism and white supremacy that often affects Jewish people (eg Charlottesville, rise of the far right/Neo Nazis), but it doesn't have the literally hundreds of years of ingrained antisemitic propaganda that Europe has. NY in particular has a large Jewish population. For example the "Jewface" incident came about from a London production of Falsettos that didn't have any Jewish creatives working on it, which I think would be unusual in NY.
The concept and expression of 'Jewface' was never intended to mean that non-Jews can't ever play Jews under any circumstance, but an awareness of how historically Jewish characters have been portrayed negatively and in stereotypical ways, and the lack of meaningful Jewish representation both onstage and behind the scenes.
I'm working on a play for next year where the main character is Jewish but deliberately not being played by a Jewish actor for specific reasons relating to the script and the (Jewish) writer's background, and it's a decision that's been made by the all-Jewish creative team with care and to ensure authenticity over specific details of this character's progression and the intersectionality of the character's identities. So I don't think it has to be an absolute no-exceptions rule that only Jews can play Jews, more than Jewish people have to be involved and have a voice when it comes to Jewish representation, and theatre-makers need to be aware of the history of insidious and often coded antisemitism and the many ways antisemitism presents, as well as the history of non-Jews being considered somehow more appropriate to play Jewish characters than actual Jewish actors (which is seen in other minority groups too), and make casting decisions with care and consideration.
I am very interested to read more opinions from American posters and people involved in NYC theatre/NYC theatregoers.
Updated On: 6/28/23 at 02:34 PM