There are two shows I've seen regional productions of that should have made it to Broadway:
WINDY CITY, the musical version of THE FRONT PAGE that was a hit on the West End. Saw a good production at Papermill in the 1980s...and I LOVE that score.
and HARMONY, Barry Manilow's musical about a true-life singing group in pre-WW2 Germany. Saw the Alliance Theatre's gorgeous production a few years ago and thought it was powerful, moving and very very well done. I saw it twice there and was hoping it could get staged that beautifully again somewhere. Manilow has recorded a few of the songs, which you might like depending on your feelings about him-- but in the context of the show these songs were phenomenal. The final number in the show, as the men decide when and how to escape Germany before it's too late, was called STARS IN THE NIGHT and it was stunning.
JBroadway said: "I do think Heathers is a good example of an Off-broadway show that DID seem to have Broadway Transfer written all over it, but didn't transfer."
If you can't make money off-Broadway, why would you transfer?!
I'd vote for Tales of the City as a show I thought had a shot.
I still can't believe that THE HUNCHBACK OF NOTRE DAME never made it to Broadway. The score is so powerful and is a real crime that Broadway and West End audiences have been denied the opportunity to have it performed on their stages. In my search for "Everything Hunchback" I came across this production by the King's Academy in WPB, FL ... such talent .. very impressive ... I'd almost go so far as to say I'd put it right up there next to the Papermill Playhouse production ... and these are high school students.
Theatre Fan3 said: "I still can't believe that THE HUNCHBACK OF NOTRE DAME never made it to Broadway. The score is so powerful and is a real crime that Broadway and West End audiences have been denied the opportunity to have it performed on their stages. In my search for "Everything Hunchback" I came across this production by the King's Academy in WPB, FL ... such talent .. very impressive ... I'd almost go so far as to say I'd put it right up there next to the Papermill Playhouse production ... and these are high school students.
While I am not sure if either show SHOULD have made it to Broadway, I am still surprised that The Bodyguard and Love Never Dies never came to Broadway for even just a limited run after their respective tours.
"There’s nothing quite like the power and the passion of Broadway music. "
The Bodyguard was such a Jebus awful mess of a show, it would have closed before opening night.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
bwayphreak234 said: "rosscoe(au) said: "The Bodyguard was such a Jebus awful mess of a show, it would have closed before opening night."
I saw the tour launch at Paper Mill... it was really quite awful minus Deborah Cox."
I though it was awful including her. I’ll never get the accolades for her. I have yet to see her sing properly and not mark her choreography. Maybe I’m just at the wrong performances.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
bwayphreak234 said: "While I am not sure if either show SHOULD have made it to Broadway, I am still surprised that The Bodyguard and Love Never Dies never came to Broadway for even just a limited run after their respective tours."
I still think it’s strange that LND never had a brief Broadway run for some sort of promotional run with Phantom.
Bettyboy72 said: "bwayphreak234 said: "rosscoe(au) said: "The Bodyguard was such a Jebus awful mess of a show, it would have closed before opening night."
I saw the tour launch at Paper Mill... it was really quite awful minus Deborah Cox."
I though it was awful including her. I’ll never get the accolades for her. I have yet to see her sing properly and not mark her choreography. Maybe I’m just at the wrong performances."
Yeah, I typically enjoy her performances and find her to be talented... Her attendance is absolutely atrocious, though.
"There’s nothing quite like the power and the passion of Broadway music. "
I think it's a real shame The Tempest with Christopher Plummer from the 2010 Stratford Shakespeare Festival didn't transfer. Too bad, it was a feast for the senses. The supporting cast was electric, especially Julyana Soelistyo as Ariel.