Roman Holiday, First Wives Club, Tammy Faye Baker Musical w/ Kristen Chenoweth, Soapdish, Romy and Michelle’s HS Reunion, The Sting, Godspell (the first attempt at the revival with Gavin Creel as Jesus), Little House on the Prairie, Nerds, Rebecca, Lone Star Love....
Elmer Gantry Witches of Eastwick Rebecca The Beautiful Game The Delacorte revival of Two Gentlemen of Verona The Cam Mack revivals of Oliver and My Fair Lady The recent Goodman productions of Brigadoon and Wonderful Town
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
ROMAN HOLIDAY was charming in the San Francisco pre-Broadway production last year. I still am unsatisfied at the ending when Anya and the Drew Gehling character (forget his name) don't live happily ever after. But that's a fault of the source material not the stage production. The sets in particular were beautiful.
HUNCHBACK: Needs a re-write, or a title change to The Archdeacon of Notre Dame since when I saw it at La Jolla I felt I left knowing more about Frollo and being more interested in his arc than Quasimodo's. The other criticism was there was lots of chorus people telling us the story instead of playing it out on stage.
PatrickDC said: "HUNCHBACK: ...The other criticism was there was lots of chorus people telling us the story instead of playing it out on stage."
Yes, you hit the nail. I'm guessing that structural issue was the main sticking point. To get around that you need a new book and maybe a new directorial approach, which would mean back to the drawing board with the workshop process.
But still for me, the music, the story and the performances were unforgettable - maybe the best thing I saw that year. At least we have the album, which I enjoy often - especially on long car trips.
I saw Whistle Down the Windin the West End and in spite of some recycling of melodies, I thought it should have played on Broadway.
I saw it in the West End as well and it was visually exciting with some really great moments, but on the whole, the show was overlong (especially the second act, which lost momentum and the story limped along for FAR too long). Unsettled Scores is probably Lloyd Webber's weakest attempt at a power ballad. It just sounds like he stitched some random melodies together at the last minute and asked the lyricist to dictate a laundry list. Tire Tracks and Broken Hearts (aka English Girls from Song & Dance) is the only recycled melody I recall in the score.
I saw Zoro at a local theater a while back. I enjoyed it. Never understood why it didn’t make it Broadway.
I loved the West End production of Zorro! I think it was probably too small a show to be commercially viable on Broadway, but I did find it charming and delightful with one of the best ensemble performances I've seen in any musical.
I would like to add Lord of the Rings to the list that should have transferred to Broadway. It should have gone into the Ford/Lyric/Foxwoods/Hilton when Young Frankenstein flopped instead of Spiderman. I've never been a fan of the books or the films, but I absolutely LOVED this show.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I saw the last performance of Giant at the Public and thought it was absolutely begging to be in a Broadway house. I'm sad it never transferred because it really is beautiful, even though I don't necessarily think it would have been a huge commercial success because LaChiusa is a hard sell.
I definitely agree with Rebecca and Love Never Dies. In addition, I wish Yeston & Kopit's "Phantom" had made it to Broadway. It's a lovely show, with a lovely score. The success of POTO might help the Y&K version if they were running at the same time. Phans like me would be in 7th Heaven if we could see versions on Broadway at the same time!
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.