Just...getting an early jump on things?! ;-)
Stand-by Joined: 2/5/23
Variety is positive: "Sam Mendes and Jez Butterworth Deliver a Dream of a Broadway Drama" https://variety.com/2024/legit/reviews/the-hills-of-california-review-broadway-sam-mendes-jez-butterworth-1236159482/
Broadway Legend Joined: 3/27/19
Two five-star reviews from NY Stage Review
THE HILLS OF CALIFORNIA: LE JEZ HOT!
By Melissa Rose Bernardo
★★★★★ Laura Donnelly stars in a time-hopping play about a musical family that hits all the right notes
https://nystagereview.com/2024/09/29/the-hills-of-california-le-jez-hot/
THE HILLS OF CALIFORNIA: JEZ BUTTERWORTH’S PIERCING GAZE ON FOUR SISTERS
By David Finkle
★★★★★ Sam Mendes intensely directs a dark Blackpool dramedy with an unbeatable cast
https://nystagereview.com/2024/09/29/the-hills-of-california-jez-butterworths-piercing-gaze-on-four-sisters/
NYTimes is positive. Critics pick Updated On: 9/29/24 at 11:02 PM
Broadway Legend Joined: 3/27/19
Holdren in Vulture:
Doing Less With More: The Hills of California
https://www.vulture.com/article/theater-review-the-hills-of-california.html
Broadway Legend Joined: 3/27/19
Deadline is positive
‘The Hills Of California’ Broadway Review: Jez Butterworth’s Homecoming Tale Of Harmony Long Gone
https://deadline.com/2024/09/hills-of-california-broadway-review-1236100364/
"Is there a more dependable set-up for family drama than the gathering of long-estranged siblings? Last season’s dark and wonderful Appropriate proved there was plenty of life in Pinter’s old Homecoming trick, and this Broadway season Jez Butterworth does it again with the fine The Hills Of California, a superbly performed reckoning with old traumas and those family squabbles that can seem so petty on the surface."
Broadway Legend Joined: 3/27/19
B+ from Entertainment Weekly
The Hills of California review: Jez Butterworth's latest has more peaks than valleys
https://ew.com/the-hills-of-california-review-broadway-8720070
Broadway Legend Joined: 3/27/19
3 stars from NY Post
‘Hills of California’ review: A cutthroat new stage mother on Broadway
https://nypost.com/2024/09/29/entertainment/hills-of-california-review-a-cutthroat-new-stage-mother-on-broadway/
"Butterworth, after all, has no problem with giant changes. His ending is completely different, and leagues better than when I saw the play in London in June. An unneeded, overly complicated shock has been shredded and in its place is a long-awaited, satisfying confrontation that, once again, summoned thoughts of “Gypsy.”"
Stand-by Joined: 2/5/23
Piparoo said: "NYTimes is positive. Critics pick"
Gift link: https://www.nytimes.com/2024/09/29/theater/the-hills-of-california-review.html?unlocked_article_code=1.Ok4.rRqS.pAfI33gT07Sf&smid=nytcore-ios-share&referringSource=articleShare&sgrp=c-cb
Broadway Legend Joined: 3/27/19
Theatrely:
THE HILLS OF CALIFORNIA Chart a Family’s Act — Review
https://www.theatrely.com/post/the-hills-of-california-chart-a-familys-act-review
"The best way to enjoy The Hills of California – not that it takes any real effort to do so – is to take it as a long yarn that unfolds across its own soapy, extended timeline. Jez Butterworth’s latest play, directed by Sam Mendes and imported from a London run earlier this year, is never less than compelling, well-executed and performed. But the slightness of its core that’s far from insurmountable, but can incur a modest wince once revealed, about two-thirds of the way into its two-hour-forty-five runtime."
Broadway Legend Joined: 3/27/19
Daily Beast
Broadway Review: ‘The Hills of California’ Gets Lost in Time—and Loses Us Too
FEEL THE HEAT
Despite Laura Donnelly’s standout performance, Jez Butterworth’s Broadway play takes too long to not say not enough about sisterly bonds, fame, and terrible maternal betrayal.
https://www.thedailybeast.com/broadway-review-the-hills-of-california-gets-lost-in-timeand-loses-us-too
Broadway Legend Joined: 3/27/19
Observer
Review: Long, Bumpy Ride to Sisterly Reconciliation Over ‘The Hills of California’
An excellent cast and direction from Sam Mendes keep the action driving in this nearly three hour family drama from playwright Jez Butterworth.
https://observer.com/2024/09/review-long-bumpy-ride-to-sisterly-reconciliation-over-the-hills-of-california/
Broadway Legend Joined: 3/27/19
Chicago Tribune
Review: In riveting “The Hills of California” on Broadway, grown sisters reckon with their dreams
https://www.chicagotribune.com/2024/09/29/review-in-the-hills-of-california-on-broadway-grown-sisters-reckon-with-their-dreams/
"The ensemble acting in director Sam Mendes’ blistering production from London’s West End is off the charts when it comes to veracity, intensity and the manifestation of how childhood trauma invariably impacts adulthood. And the characters Butterworth forges are so empathetic that I never wanted this three-act show to end. Or even to pause. Not with everyone in such pain.
As I write the morning after, I feel like I am still recovering from the level of emotion this thing churned around in me."
Broadway Legend Joined: 3/27/19
Washington Post
When mom dies and the truth spills out
Jez Butterworth’s new play, ‘The Hills of California,’ tells a familiar story of showbiz ambitions and sibling rivalries.
https://www.washingtonpost.com/entertainment/theater/2024/09/29/hills-of-california-broadway-review/
"But much of what Butterworth explores in “The Hills of California” has been done elsewhere and often, including showbiz moms from hell (“Gypsy”), four spirited sisters who grow up and apart (“Little Women”), sibling rivalries that flare over an absent or dying parent (“August: Osage County”; “His Three Daughters,” now streaming on Netflix), even a wayward artist returning home after his mother’s death (Kenneth Lonergan’s “Hold on to Me Darling,” now playing off-Broadway with Adam Driver).
That’s not to say that family dynamics like these aren’t worth further examination, or that Butterworth’s take on them isn’t artfully done. But almost nothing about it feels original."
Broadway Legend Joined: 3/27/19
AMNY
Review | Broken jukebox and broken family in ‘The Hills of California’
https://www.amny.com/news/the-hills-of-california-sam-mendes/
Broadway Legend Joined: 3/27/19
Theatermania:
Review: Four Sisters and the Secret That Destroyed a Family in The Hills of California
https://www.theatermania.com/news/review-four-sisters-and-the-secret-that-destroyed-a-family-in-the-hills-of-california_1751568/
"To their credit, both Butterworth and Mendes have done excellent work sharpening the material for Broadway. Trimming the running time by 15 minutes and putting less emphasis on some of the supporting roles has made a world of difference in terms of pacing (though there are still at least two characters that could be cut). More essentially, a nearly complete overhaul of the third act has not only deepened the arcs for all four sisters, but clarified the story that Butterworth is telling: how one person’s trauma and survival effects everyone in their orbit."
Broadway Legend Joined: 3/27/19
NY Sun (paywalled)
Arriving From Across the Pond, Jez Butterworth’s ‘The Hills of California’ Is Theater at Its Best
The production is the playwright’s first on Broadway since 2018’s ‘The Ferryman,’ another London import that also featured the luminous Laura Donnelly and a star director, Sam Mendes.
https://www.nysun.com/article/arriving-from-across-the-pond-jez-butterworths-the-hills-of-california-is-theater-at-its-best
Broadway Legend Joined: 3/27/19
The Wrap (a spoiler for a plot change/revision)
‘The Hills of California’ Broadway Review: Jez Butterworth Delivers Another Modern Classic
Sam Mendes directs and Laura Donnelly dazzles
https://www.thewrap.com/the-hills-of-california-broadway-review-jez-butterworth-sam-mendes/
MemorableUserName said: "Holdren in Vulture:
Doing Less With More:The Hills of California
https://www.vulture.com/article/theater-review-the-hills-of-california.html"
Another bang-on review from Holdren. God, I’m glad she’s back.
Broadway Legend Joined: 6/13/22
even when i disagree with holdren, she always makes points/observations that make me rethink, a true critical gem.
Broadway Legend Joined: 1/21/20
DTLI Consensus: Unleashing the first of two domineering stage mothers on the same sidewalk this season, Jez Butterworth delivers another highly effective family drama.
10 positive (including the NYT), 2 mixed, 2 negative.
https://didtheylikeit.com/shows/the-hills-of-california/#google_vignette
Broadway Legend Joined: 11/12/14
I usually love Sara Holdren's take and I think she makes a lot of valid points about the piece as a whole (and yeah, I also thought the 2 minute "break" was laughable), but I feel like I saw a completely different performance of Joan than her. Yes Joan is disillusioned and speaks almost exclusively in a deadpan tone, but I thought she was far from the caricature that Holdren described. What impressed me most about Donnelly's performances as both Veronica and Joan was how you could see their false flippancy belying their inner turmoil. The entire caricature that Joan displays is entirely on purpose, and you can see hints of her true self peek through with things like the scene on the stairs.
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