Posted: 4/30/10 at 3:43pm
TONYS Announce Eligibility for RED, Sondheim, Enron, Tenor, Idiot, Fences & More — Page 4
Posted: 4/30/10 at 3:45pm
Best Revival of a Musical: Bye Bye Birdie in a landslide
~Steven
Posted: 4/30/10 at 3:50pm
Posted: 4/30/10 at 3:59pm
While I think some categories are harder to predict than others, I think Douglas Hodge pretty much has it in the bag and even though I'll be rooting for Zeta-Jones through the Tonys, I'm not holding my breath (though I don't think that's a done race in the way that Lead Actor kinda is).
I'd love to see a play win Best Score over something as pedestrian as MEMPHIS.
Posted: 4/30/10 at 4:02pm
I really think she will win. We need to take politics into account. We know CZJ will damn well be campaigning this Spring at all of the Tony events, etc. Regardless, I think she deserves it over Scott, and I am a fan of Scott as well.
Does anyone think American Idiot will be nominated for Best Book? I am cringing at the thought. I liked the musical, but it has 3-4 spoken lines with one-dimensional characters.
Updated On: 4/30/10 at 04:02 PM
Posted: 4/30/10 at 4:25pm
EVITA won Best Book in 1980 and it practically has no spoken dialog. It's nothing more than a string of songs.
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Posted: 4/30/10 at 4:30pm
Posted: 4/30/10 at 4:43pm
Actually, it is a bit more than a string of songs. Nothing occurs randomly in the show with no connective thread or narrative structure. The book is defined by more than spoken dialogue. Dreamgirls, Cats, Les Miserables, Falsettos, Sunset Boulevard, Rent and Ragtime won Best Book as well and they all have a relatively small percentage of the show devoted to spoken material.
Posted: 4/30/10 at 4:47pm
Updated On: 4/30/10 at 04:47 PM
Posted: 4/30/10 at 4:51pm
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Posted: 4/30/10 at 5:02pm
Updated On: 4/30/10 at 05:02 PM
Posted: 4/30/10 at 5:04pm
From a sort of opposite view, Two Gentlemen of Verona's spoken lines were almost entirely lifted from Shakespeare's play, but the way the play had to be edited to include the songs without diluting the plot was what gave it an edge and ultimately won it the award over Grease (the unexpected runaway hit), Ain't Supposed to Die a Natural Death and Follies.
Updated On: 4/30/10 at 05:04 PM
Posted: 4/30/10 at 5:13pm
You could rearrange the poems and it would make very little diffrence. It's not even coherent.
Posted: 4/30/10 at 5:15pm
Posted: 4/30/10 at 5:30pm
Posted: 4/30/10 at 5:30pm
It's sure to be an interesting awards season though.
Posted: 4/30/10 at 5:32pm
I'm not saying it's right, but it's something to consider.
Posted: 4/30/10 at 5:37pm
Posted: 4/30/10 at 5:44pm
Posted: 4/30/10 at 5:51pm
Posted: 4/30/10 at 6:00pm
Posted: 4/30/10 at 6:02pm
Updated On: 4/30/10 at 06:02 PM
Posted: 4/30/10 at 6:03pm
But she's been having such a great experience, I doubt the award means everything to her.
Posted: 4/30/10 at 6:14pm
If not, her name is above the title, meaning that she will be considered in the Leading Actress category.
(ljay, I'm sure you would know this ...)
blocked: logan2, Diamonds3, Hamilton22
Posted: 4/30/10 at 6:14pm
Why do you think that? You must know her (and us) extremely well.
Well, I HAVE met her and talked to her backstage and I can tell you she is a very lovely person who is having a great time on Broadway, and that's the most important thing to her. But psh! What do I know? Everyone on Broadway is OBVIOUSLY obsessed with getting awards. It's not about art at all.
Again, I am not saying she wouldn't like the Tony; I am saying it's not what she lives and breathes for.
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