I don't think it's possible for there to be a "competition" with Sondheim involved.
That being said, Finn and Loesser do some lyrical wonders as well.
I think the lyrics to A LITTLE NIGHT MUSIC are simply terrific.
I'm going to have to say Sunday in the Park with George has the best lyrics I've heard:
"George's stroke is tender..."
"The kind of woman willing to wait is not the kind that you want to find waiting to return you to the night"
"One eye: no illusion that you get with two..."
Just off the top of my head
INTO THE WOODS
THE SECRET GARDEN
LAST 5 YEARS
Sweeney Todd and City of Angels
Sweeney Todd
Into The Woods
South Pacific
Those are the ones I immediately thought of. Wicked has some awful lyrics.
Craig beat me to it by two posts. Other than the obvious Sondheim, City of Angels has some of the best lyrics ever written.
Broadway Star Joined: 12/9/06
I tried to think of just one Sondheim show to post, but I can't because they're all so great.
So, anything Sondheim and also Candide. (incidentally, a show in which Sondheim did some re-writes!)
Yeah, I would have to say Gypsy and Into the Woods.
Gypsy for it's emotional resonance. Each lyric is so purposefully written and perfectly relates to whatever is going on at the moment. And Into the Woods for some of the internal rhymes and just general amazing lyics. Such a strong show that just screams Sondheim.
In no specific order, I picked the first ten that came to mind:
CAROLINE, OR CHANGE
GUYS & DOLLS
SUNDAY IN THE PARK WITH GEORGE
GYPSY
SWEENEY TODD
GREY GARDENS
MY FAIR LADY
THE KING & I
SHE LOVES ME
ANYTHING GOES
I'd cite Yip Harburg for FINIAN'S RAINBOW and Alan Jay Lerner's especially fine lyrics for CAMELOT.
I'm with Chess. It's too damn underrated.
And while I like Wicked, its lyrics leave much to be desired seriously. I let my friend listen to For Good and at first she was obsessed with it being about "the only song EVER that's about friendship!".
Two weeks later, she came around and started bitching about the oversimplified lyrics. Don't worry, people come around. :)
I quite fancy Oklahoma too.
Submitted for your consideration:
1776
Broadway Legend Joined: 1/19/08
INTO THE WOODS... but basically any Sondheim
Swing Joined: 7/27/08
Phantom of the Opera, hands down....
Understudy Joined: 2/25/07
Sondheim, no doubt. As well as Hammerstien II and Gershwin.
It is going to be a Sondheim show, no question. Picking only one of his is a bit harder. A LITTLE NIGHT MUSIC, SUNDAY IN THE PARK W/ GEORGE, INTO THE WOODS & SWEENEY TODD would be my choices.
My Fair Lady is the best Broadway musical ever: lyrics, music, book, etc.
My Fair Lady is a good show, even a very good show, but not the best.
I let my friend listen to For Good and at first she was obsessed with it being about "the only song EVER that's about friendship!".
Wow, I guess she doesn't have much exposure to musical theatre, then?
As far as "The Best Lyrics" go, it's a tough decision, especially if you analyze musicals with respect to the eras in which they were written. I personally would narrow it down to:
A Little Night Music
City of Angels
Falsettos
Les Miserables
Fiddler on the Roof
The Most Happy Fella
Oklahoma
To be honest, it's kind of hard to have a decent discussion on this topic with many people too young to know Cole Porter, Irving Berlin, or Ira Gershwin.
I love all Sondheim lyrics and actually the old lyrics to Wicked were pretty good in the first workshop but they seemed to use a lot of Sondheim's ideas in them
Understudy Joined: 6/14/07
Into The Woods by Soundheim and Lapine.
I'm reading it now and it's the best lyrics I've read so far.
"actually the old lyrics to Wicked were pretty good in the first workshop but they seemed to use a lot of Sondheim's ideas in them"
such an insult.
never again... please.
Broadway Star Joined: 2/21/06
Yoru friends are obviously young and of the school that believes newr is generally better.
heck out the brilliance of Cole Porter and that of Lorenz Hart. "Bewitched, Bothered and Bewlidered" may have some of the best lyrics ever written, period. Hart was abslutely brilling in his use of internal rhyme.
Of course, he didn't use any four-letter words,so he may be over the heads of some audiences today.
Broadway Legend Joined: 1/19/08
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