Posted: 10/23/11 at 10:45pm
Updated On: 10/23/11 at 10:45 PM
Posted: 10/23/11 at 10:52pm
Posted: 10/23/11 at 10:56pm
It's a bit too artsy for some, I'm sure, but it's still a very good show.
Updated On: 10/23/11 at 10:56 PM
Posted: 10/23/11 at 11:00pm
Updated On: 10/23/11 at 11:00 PM
Posted: 10/23/11 at 11:09pm
I'm afraid your impression was correct. The story is quite dull, especially in the second act. It's too bad, because there is some very nice music here, as well as effective evocations of time and place though projections and costumes.
The problem is what should be fascinating characters are delineted without sufficient specificity, so that both they and their tale fail to engage.
The cast members were all very good. At tonight's performance, Mark Kudisch was out, and his role was performed by Aaron Serotsky, who did a great job.
Posted: 10/23/11 at 11:12pm
As for the plot, I can't exactly agree that it's "dull," but I would say it's just entertaining enough.
Updated On: 10/23/11 at 11:12 PM
Posted: 10/23/11 at 11:18pm
Updated On: 10/23/11 at 11:18 PM
Posted: 10/24/11 at 9:23am
For much of the time, the characters don't even speak to one another, but "narrate" events, which are illustrated by a video show projected on a screen. Lots of underscoring, and when they sing it's still sounds like underscoring. Melody is scarce.
When one of the characters sang about puking (I'm not making this up!) I empathized completely. If I was seated on an aisle, I wouldn't have waited for intermission to flee.
Posted: 10/24/11 at 2:13pm
Posted: 10/24/11 at 3:32pm
Posted: 10/24/11 at 9:08pm
Yes, the story is a little slow and the characters do narrate, but at no point during the show did I find myself thinking that I wanted to leave before the end.
With that said, I would pay to hear Marc Kudisch read the phone book, so maybe my impression of the show is a little biased.
Posted: 10/24/11 at 10:22pm
Posted: 10/24/11 at 10:28pm
Posted: 10/24/11 at 10:40pm
http://www.playbill.com/news/article/155854-Heading-for-a-Wedding-Marc-Kudisch-and-Shannon-Lewis-Tie-the-Knot
Posted: 10/24/11 at 10:48pm
Posted: 10/24/11 at 10:48pm
Before I saw it, someone who had seen it and loved it said something like this: "It's like modern art - it's not about what it looks like, it's about how you feel looking at it. And this show, it's not what it's about that's interesting, it's about how you react to it. And once I just went along with that, I loved it."
Something along those lines. And so when I saw it, I just sort of let the show happen around me and it was absolutely engrossing and weirdly moving. I've listened to that 6-track CD more than probably any other musical recording I've gotten since. I often get "Pro Patria Mori" going through my head, and I think "Let It Slide Through Your Hand" and "Dark Party" are a couple of the coolest songs I've heard come out of a theatre piece.
In case folk aren't familiar, the music is billed as "Sturm und Twang" and described as "Kurt Weill meets Hank Williams", and it really is that. The orchestration is Piano, Bass, Drums, Percussion, Guitar, Pedal Steel Guitar, Bassoon, Cello, and Accordion. I never would have thought that combination of instruments would sound like anything other than an odd mess, but I love it. The characters are Germans circa WW2 who have a thing for American cowboy movies, so the music somehow manages to blend both of those things.
It's probably not for everyone. My tastes admittedly run a little odd sometimes (the upcoming show I'm most excited about is "Einstein on the Beach" at BAM next September) but "Blue Flower" was one of those things that just hit me completely unexpectedly and I'm looking forward to getting to see it again.
Posted: 10/25/11 at 1:34am
Posted: 10/25/11 at 2:06am
Posted: 10/25/11 at 10:24am
Updated On: 10/25/11 at 10:24 AM
Posted: 10/25/11 at 11:55am
And I didn't find the score banal at all.
Posted: 10/25/11 at 12:20pm
If the show isn't painful enough, the sound system accosts you with extreme bass sounds from giant speakers all over the house that shakes you in your seat. The effect is used for explosions in the War scenes, and it's so it makes you 'feel it' but it hurts worse than a rock concert. Some of the audience members were plugging their ears, and I think that's why some of the older patrons walked out at intermission.
That being said, Mark Kudisch gives a 100% committed performance, and it's nice to see him do drama occasionally instead of comedy.
Posted: 10/25/11 at 1:39pm
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