We all know the deal. The nefarious critics see some pretentious and/or hateful and/ or miserable and/or boring show, then heap praise upon it knowing that people will be induced to buy tickets and then hate it. You are among those people, as am I. How many times have you been burned?
My list is long:
Sweeney Todd Sunday in the Park With George Passion Parade Title of Show Fun Home The Flick Circle Mirror Transformation Mr. Burns Once Detroit Book of Mormon Mother* With Hat Jerusalem Clybourne Park Venus in Fur All in the Timing Bloody, Bloody Andrew Jackson....
And many others I'm glad I can't recall at this moment
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
True. But I can usually find something I like, even when I am bored/disappointed. I loved the setting for JERUSALEM. I liked the costumes in BULLETS OVER BROADWAY. What I love about live theater is the ability to direct my attention anywhere I want, and so find something worthwhile if the show in the center ring isn't quite what I had hoped. But most of all, for me, is discovering an actor who was previously unknown to me. Example - seeing the non-Jewish FIDDLER revival and noting Robert Petkoff. A young Alfred Drake, I thought. Duly noted for future reference!
Those nefarious, deceptive and dare I say downright evil critics coerced me into seeing Hello, Dolly!, My Fair Lady, Cinderella, No, No, Nanette, Mlle. Modiste, Babes in Toyland, Dear World, Milk and Honey, Tenderloin, The Happiest Girl in the World, Little Mary Sunshine, the list goes on. How truly dreadful they all were, each and every one of them. Those critics deserve to be punished. PUNISHED. I say we stop going to the theatre and spend the time we save spewing hate onto the internet. Who's with me!
Billy Elliot In the Heights Pippin Matilda The Lion King South Pacific The Bridges of Madison County (the score was underwhelming as everyone figuratively had orgasms over it and will never stop calling it perfect)
I did not get Bloody,Bloody at all. I just wanted it to end. didn't Brantley rave over Lyristrata Jones? God, that was an awful show. But an awful that became entertaining.
How could I forget the Lion King, even worse than reNt
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Billy Eliot - The score (except for a few songs) is very dull and forgettable, the dancing is very overrated, and the story, while moving, is also cliche and predictable. I In the Heights - The book is predictable and the show ends suddenly with everyone's problems being fixed by the lotto. The first act is very slow with way too many "I Want" songs. The show only really works with the right cast. Matilda - I liked the show ok, but was underwhelmed as I expected to really be wowed with all the raves it got. The show is good, but I was just unimpressed. Pippin - Still don't get the love for it. The only reason people like if is because of the spectacle. The same thing that people make fun of, and the show gets raves even though other shows with spectacle are a million times better! The score is very uneven, with some gems and some real clunkers. The spectacle completely overshadows the material and sometimes has no integration to the plot. The show has no real meaning. Is it a cautionary tale? Is everything a metaphor? What is the show saying to us?
I am underwhelmed by Rent and Cats in general...no matter the production.
While I didn't think they were AWFUL, I did not think that Pippin, Lion King or Once were "all that". I am also most baffled by Pippin - which I have seen a number of times over the years and while this production was creative, I didn't find the urge to jump up and down in raves either and had no interest in seeing it more than once (which is unusual for me, I love to see shows more than once in general).
Billy Elliot and Matilda were victims of too much hype...IMO.
Lysistrata Jones reigns supreme as the worst musical I have ever seen. It was pure torture. And considering I saw In My Life that's saying something. I'll add that to the list. i will never understand Brantley's love for it.
Peter and the Starcatcher is another one that I just didn't understand all the love for.
"I know now that theatre saved my life." - Susan Stroman
After Eight, you're always a breath of fresh air in this very tired board! So kudos for the great thread:
I am sure I'm forgetting some but here it is:
Sweeney Todd Once Book of Mormon Bloody, Bloody Andrew Jackson The Producers Movin' Out The Lion King Matilda Bullets Over Broadway Sleep No More Spamalot Drowsy Chaperone Altar Boyz Avenue Q Brooklyn Bonnie and Clyde Big Fish Hedwig Gypsy The Pajama Game In The Heights Pacific Overtures
I want to state that maybe not every critic raved about those particular shows, but I do remember reading a rave or two over them.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body