A Little Priest
Greatest? Who am I to say. Favorite? I can make a more confident selection: "Glamorous Life" (ideally as sung by Audra Mac!)
Greatest?, I'm not sure. Comedy Tonight is pretty magnificent. The most moving for me is "Not while I'm around"
Robbie- that's such a good choice! Is there any part of that song that is NOT a joy to sing? Surely our mutual, music-savvy friend pointed out to you Charlotte's part in the conclusion of the song?
My kneejerk reaction to the question is "No One is Alone." But I think the answer will vary day to day.
Kad, what song is a joy to sing? whos robbie?
Kad,
He hasn't pointed it out to me! Now I'm dying to know! Someone once joked that I should do a one-man version of WEEKEND at Sondheim Unplugged. I've given consideration, but damn...it's like climbing Everest.
oh i completely missed the first page of this thread!
I like Im Still Here
A Weekend in the Country is too much for me. so much drama. Not even operas are that crazy
Robbie-
Charlotte's part is simply, "Uninvited. Uninvited. We should have stayed in town."
<<< My obvious answer, but also my heartfelt answer.
I am hiding in a tree.
I'm a fragment of the day.
If I weren't, who's to say
Things would happen here the way
That they happened here?
I actually thought of you when I saw this thread, Tree2.
Someone in a Tree is a brilliant piece on so many levels.
^ :).
Thanks, Tazber. You and your adorable kittens have always had great taste :).
"Beautiful" – Sunday in the Park With George
re: so much drama. Not even operas are that crazy. This, from Philly "I'm leaving the boards!" pinto.
I'm not sure what "greatest" means...most favorite? most effective? most influential? most sophisticated musically or lyrically or both?
But I would have to give the "greatest" title to "All Things Bright and Beautiful," the deleted song from Follies that became the haunting melody we all know from the Follies Prologue. Here it is, on the Paper Mill recording, such by Donna McKechnie and Laurence Guittard:
^ I ALMOST went with that. Seriously. But I decided I couldn't in good conscience give it to a cut song (hence my leaving Uptown/Downtown out of consideration even though it's contains what may well be my favorite Sondheim lyric.)
Ha! Uptown/Downtown was also one of my choices at first too.
I also decided not to go with a trunk song though.
It's a brilliant song.
Someone recently tried to tell me that my new club act should be only cut songs from FOLLIES.
My Foxtrot would be definitive.
ANYONE CAN WHISTLE has meant more to me that any other SONDHEIM...
Move On. It's one of those rare songs that can reduce me to tears every time I hear it, no matter the setting. Just the other day I was on the subway when it came on my ipod and Jenna Russell had me hiding my tears from the other riders. It's allergies, I swear!
Robbie, who would you sing Pleasant Little Kingdom with? Molly Pope?
Robbie what is your act? who are you?
Oh, but yes, Kad. And then our COUNTRY HOUSE will be...extreme.
^ Finally, that musical version of Who's Afraid of Virginia Woolf? we've all been waiting for!
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