Robbie- that's such a good choice! Is there any part of that song that is NOT a joy to sing? Surely our mutual, music-savvy friend pointed out to you Charlotte's part in the conclusion of the song?
My kneejerk reaction to the question is "No One is Alone." But I think the answer will vary day to day.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
He hasn't pointed it out to me! Now I'm dying to know! Someone once joked that I should do a one-man version of WEEKEND at Sondheim Unplugged. I've given consideration, but damn...it's like climbing Everest.
I'm not sure what "greatest" means...most favorite? most effective? most influential? most sophisticated musically or lyrically or both?
But I would have to give the "greatest" title to "All Things Bright and Beautiful," the deleted song from Follies that became the haunting melody we all know from the Follies Prologue. Here it is, on the Paper Mill recording, such by Donna McKechnie and Laurence Guittard:
^ I ALMOST went with that. Seriously. But I decided I couldn't in good conscience give it to a cut song (hence my leaving Uptown/Downtown out of consideration even though it's contains what may well be my favorite Sondheim lyric.)
Move On. It's one of those rare songs that can reduce me to tears every time I hear it, no matter the setting. Just the other day I was on the subway when it came on my ipod and Jenna Russell had me hiding my tears from the other riders. It's allergies, I swear!
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!