For a show that is designed as a raucous, rollicking musical comedy, The Book of Mormon raises some challenging issues and questions: the Mormon church sends these young missionaries out all over the world at the age of 19, armed only with the book and their own zeal and belief system. They think they are ready to solve anything that comes their way, but what happens when they are confronted with a part of the world that God seems to have forgotten, on a continent that they only know from what they’ve seen in The Lion King? What is the true nature of faith – does it mean believing in everything blindly and literally, or is scripture meant to just be a guideline to live one’s life as a good, honest and caring person? What makes the beliefs of one religion any crazier than what another religion believes? The show also satirizes western self-congratulation and condescension in “I Am Africa” – the missionaries have baptized the Ugandans and think they now know everything there is to know about Africa (all done in the style of a “We Are the World” power ballad). And at the end of the show, we witness the birth of a new religion, with its own creation story and dogma.
It’s not a facile or easy piece of writing – to my mind, they’ve pulled off an amazing balancing act – a mainstream show that is provocative and subversive, and yet, warm-hearted and sweet-natured, even while gleefully foul-mouthed. In my opinion, it is not a show to dismiss with the back of one’s hand. I’m hard pressed to think of a recent musical comedy that accomplishes as much as Book of Mormon does, and does it without breaking a sweat.
Begin at the beginning and go on till you come to the end: then stop.