I still think it's insane that we're discussing A-list young male stars as possibilities for Peter. Unless the young male star is openly... effete like Chris Colfer, what agent or manager in his right mind would put them up for the role? My initial instinct is also to agree with this. And its not the idea of a young male actor playing Peter Pan, it's the idea of a young male actor playing Peter Pan in the Styne/Charlap musical of PETER PAN which was very specifically composed for the 1954 sensibilities of a woman playing the role. It's possible that there could be a young male actor who could pull it off beautifully, but I would be initially skeptical that the 'gay' (in the traditional sense of the word) sensibility of songs like "I've Gotta Crow" and "I'm Flying" would, by contemporary audiences seem 'gay' in the modern sense of the word when assigned to anything other than a woman or pre-pubsecent boy, and its hard for me to think of any male child star with enough clout to ensure the bonanza ratings to justify it.
Especially when you think about all the A-list female stars out there who could conceivably pull it off. I could see Amy Adams, Ann Hathaway, Renee Zelwegger, Anna Kendrick, Jennifer Lawrence, etc. all potentially being delightful in the part and not at odds with the tone of the score.
I also continue to believe that no amount of 'goosing' up the special effects or production values is going to make the Charlap/Styne version of PETER PAN seem anything other than what it is - a wonderfully, old fashioned, highly 'theatrical' stagebound version of the story.
Why fight that? Nana is going to be a man in a dog suit. What could they possibly do to make the 1954 musical version of PETER PAN more 'hip' or realistic? Why would they even want to try? Since this is the version of the story they've committed to producing, I think they'd be wise to simply embrace it.
NBC completely embraced everything about THE SOUND OF MUSIC that was old fashioned and did nothing to try to gloss over that it was a television adaptation of a play. If anything they seemed to celebrate it - from the design, the videography, the direction and the casting of much of the supporting cast. They may have taken criticisms for the execution of something so 'stage bound' in the after fact - but what does that matter? It didn't keep huge numbers of viewers from watching the entire telecast as it was happening-- in fact, perhaps the feeling that THE SOUND OF MUSIC live was unique, old fashioned and not an overly polished television film was ultimately part of what kept viewers tuned in. The executives won't fail to notice that.
Updated On: 1/21/14 at 11:29 AM