"I suspect that second to Brynner, it'll be Watanabe's King that generates the most attention and discussion in the future, not Lou Diamond Phillips's. It'll be a wildly divisive place in theatre history, but how the feeling will tip may depend on how the cast recording turns out."
I'm afraid that what I love most about his performance won't be captured on the cast recording. Singing is definitely not his strength in the role of the king! Even though my mother and I had seats to the extreme far left of the orchestra (the dreaded l00's), we were both delighted and emotionally moved by his interpretation---and this was early in the run. His king is a very complex human being. We believed in him as a man who is truly torn between the old traditions (what he feels is expected of him as the king) and his yearning to embrace the new. Even though every word of "Is a Puzzlement" wasn't clear, he embodied the meaning of the song throughtout his performance. And I will happily trade perfect diction for the opportunity to see a King who conveys the contradictions and conflicts not just in that one song. He is playful and affectionate with his many children and seems spontaneous in those moments. He seems very young in some ways (his oldest son is in some respects actually more mature). The scene beginning with "Shall We Dance" is highly emotionally charged, and I think it's because of Ken's conviction and charisma....not how well he dances the polka! Even though I've seen the movie and several live productions of this play, I still held my breath in suspense, as Ken conveyed the anguish of the king as he confronted Tuptim. His death scene is very moving, with so much emotion conveyed through body language, so that even if his diction is not absolutely clear (and we had no problems), the emotional content of the scene is crystal clear. Yes, he deserved this nomination but that may not be apparent based on the cast recording alone.
Updated On: 5/17/15 at 12:43 PM