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Tracking in set pieces before computers

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#1

Tracking in set pieces before computers

Probably a silly question, but how did set pieces track in and out before automation technology? Would they be connected to the fly system/pulleys some how?
My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades
#2

Tracking in set pieces before computers

In Hamilton, the candles that come out for Helpless/Satisfied aren't automated at all. There's not room backstage for it. They are manually set into the track, then pushed out with a pole. (And presumably pulled in the same way)

Lots of ways to do it if you're creative

#3

Tracking in set pieces before computers

Manually cranked winches and cables are one method (and are still not uncommon to come across), and the good old push-stick that Rainah describes is also pretty common, especially when the distance that needs to be traveled is not super far.

#4

Tracking in set pieces before computers

Anyone know of any videos explaining automation - especially on a tour - or a trap door room? Love to know how all that works.

#5

Tracking in set pieces before computers

I’ve always enjoyed watching this video. It shows a bit about the Billy Elliot tour set... http://youtu.be/6p_YK33teI4


My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades
#6

Tracking in set pieces before computers

A nice detour of the actual question but here’s a nice tour of the gorgeous set from the 2016 Broadway revival of SHE LOVES ME with award winner set designer David Rockwell.

https://youtu.be/o7-4eCO-afc
#7

Tracking in set pieces before computers

If I recall correctly, the documentary Behind the Mask: The Story of The Phantom of the Opera contains some footage of the crew manually operating props, such as the rising and sliding candelabra, via pulleys and ropes from the trap space below the stage. I think the footage is from Her Majesty's Theatre in London, where the show's sets are mostly manipulated without automation.


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