I think Unnatural Acts started performances tonight. If anyone goes, please post thoughts here. It sounds intriguing. I was reading about the plot and the development. Thanks.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I'm still thinking about it, and whenever my brain remembers that all the events in the play actually happened at Harvard in 1920, I get a couple of goosebumps.
It's just a bizarre and unique haunted feeling I get, when I think about the fact that these actors are all playing real men who are all dead and whose plight nobody knew. Nobody knew about it when they were young men at Harvard and nobody knew about it when they died and nobody knows about it now. Unless they see this play.
"I am the sound of distant thunder, the color of flame."
CARRIE the Musical
I saw it Tuesday and absolutely loved it! VERY well acted and written - in fact all of the actors helped write it. Go see it- you will not be disappointed.
I have nothing against these young actors, but you really shouldn't tell fibs on your friends' behalf here.
About the performances, Brantley says "Many members of the young, all-male cast aren’t quite up to transforming clichés into character. But they exude an affecting air of commitment to their project. And a couple of them — notably Nick Westrate ... and Max Jenkins ... — create incisive and credible portraits, unvarnished by vanity or sentimentality."
So I wouldn't call this unqualified praise for the cast - to commend 2 of a cast of 11 (and condemn the rest) isn't much of a commercial for the show.
See it. See it. See it. I am hoping to make a return visit before it closes. Wonderful company, very compelling, very haunting and unsettling.. especially when you find out just who two of the accused men 'grew up' to become. Low budget, of course, but beautiful set by Walt Spangler.. Simple and very well designed for the thrust space. Striking and effective lighting. Across the board wonderful cast - as I would expect, since most were involved in development / writing. I was concerned that the end was a bit much.. the long monologue and the choreography of the others was the only time it felt heavy handed. It is difficult to single anyone out, but I MUST commend Jess Burkle, Roe Hartkrampf, Nick Westrate, Frank De Julio and Joe Curnutte. My only issue is that many of the high tension moments in the court are played straight forward, directly to center, so if you are sitting on the side, you don't get those particular stage pictures that Tony Speciale (conceived / directed) seemed to really highlight. By all means, go, go go. I have been reading info on the Court since seeing the show and have ordered the book written about it several years ago. Sadly, I missed the sister play to Unnatural Acts, Veritas, at the Fringe last year.
There IS somewhat brief nudity in the opening scene... no nudity after that.
It's highly unusual to see a play written by committee, as the Playbill indicates here. Based on the play on stage, I wouldn't say it's the greatest idea. A play needs a firm and distinct vision, and this one doesn't have it, either in style or content. The result is what could have been a taut and compelling play has been turned into one of diffuseness and dullness. It is overlong by at least half an hour. There are a few effective scenes that hint at the play that might have and should have been.
The cast performs valiantly to make their characters compelling, but they're just not drawn well enough.
This play takes place at Harvard. During its many longueurs, I reflected on how almost every play i've seen dealing with these elite universities or boarding schools makes them seem so horrible that one wonders why anyone would want to go them. Surely there have had to be people who had happy experiences at these schools, no? But offhand I can't think of any plays that have shown them in a positive light. Perhaps someone here can come up with a few.
From what I have read, they actually began as one play being developed to the story of the Harvard Secret Court, but due to creative differences, the creators split and all continued to develop the idea as different shows.
As someone who saw both Veritas and Unnatural Acts, I can say without a doubt that Unnatural Acts is far, far superior. Don't miss it.
As for this silly business about how a play needs to be created by one person in order to be good. Clearly anyone who thinks this never goes downtown. There are countless amazing companies doing ensemble-created shows.