This is where rockfenris, king-fan of the gothic musicals, comes out in force:
The Phantom of the Opera was (originally) intended to be some kind of rock-opera a la Jesus Christ Superstar, with a bit of the camp of the Ken Hill version. Sarah Brightman was to be apart of another version of Phantom, which was by Ken Hill, and that's how Lloyd Webber got the idea of doing it in the first place. Hill had staged his version, as a bizarre camp musical with classical / opera excerpts. Lloyd Webber offered to add some incidental music and produce it in the West End, but this lead to (obviously) what is now (probably) the most successful musical of all time...
The lists of lyricists is strange. Alan Jay Lerner was going to write the lyrics, yes - THE Alan Jay Lerner! - and was very close to starting. Just before he could, he fell into sickness and never recovered. I'm presuming this took place after Richard Stilgoe got involved, and the rock opera concept became more of a romantic musical...
In the early stages, Lloyd Webber turned to Jim Steinman to write the lyrics for Phantom of the Opera. They worked on it for two weeks in London, but Steinman was called away on duties on a Bonnie Tyler album (bizarrely, it didn't do too well: but Phantom is still playing today LOL. Wouldn't you be kicking yourself!). Steinman is none other than the songwriter / creator of Meat Loaf's Bat Out of Hell, Bonnie Tyler's Total Eclipse of the Heart and the German opera Tanz der Vampire, which became the greatest flop in Broadway history "Dance of the Vampires". Now his tribute show, The Dream Engine, is beginning a run of the country.. and Bat Out of Hell 3 with Meat LOaf is set for release in 2006.
From My Fair Lady to Bat Out of Hell, The Rain in Spain to Paradise by the Dashboard Light, Phantom has had the most interesting, bizarre and weirdest history of a musical: although I suppose most musicals do. This one, however, is more interesting. Plus there are about a dozen other versions of it. If movies can be remade, and sometimes successfully, do you think the same can be said for musicals? If a writer came along, in twenty years, and had an equal - perhaps more successful - hit with the Phantom story, do you think that would ever happen? After all: the Phantom movie has been remade many times, and to reasonable success. And with Hollywood holding so much influence over Broadway, you never know what will happen. But let's not now hope that every successful Broadway musical will be re-written by another writer LOLOL
(Go easy on me. It's New Year's Day and I've had a lot to drink. I've probably pissed off all of the BWW Community by now)
But, back on track, that video is a representation of the rock opera version of Phantom of the Opera. It was a very very different show. All of the romantic stuff, like Music of the Night and All I Ask of You, was written afterward. Phantom is, believably, the only song kept from that earlier version: which leads me to say: "OMG! WHAT DO THE CUT SONGS SOUND LIKE!!!"
Hahahaha
Who can explain it, who can tell you why?
Fools give you reasons, wise men never try
-South Pacific