Posted: 8/8/19 at 10:43pm
So following the "Tootsie" thread --- a show I adored unashamedly --- the book, the music, the staging, the singing, EVERYTHING......and the night I went the audience (packed house) was having a GREAT TIME. "Tootsie-bashers" figure that one out.
.However, I have surmised I can no longer enjoy "Tootsie" and the following shows without becoming accused of transphobia....
1. Chicago
2. Sugar
3. South Pacific (remember Honey Bun)
4. Little Me
5. The [future] Mrs. Doubtfire
6. Hairspray
7. Matilda
8. Cages aux folles
9. Peter Pan (obviously a man was kept out of a work so Mary Martin or Sandy Duncan could perform)
10. The opera "Der Rosenkavalier" a woman playing a man playing a woman. How horrible.
11. The opera "Marriage of Figaro" a woman playing a man.
12. Countless operas of the 19th century
What did I leave out?
Brilliant Drag artists who make a career of being men dressing as women (sometimes outlandishly - with huge breasts and big wigs). I guess I can't like them either? How are they different from Dorothy Michaels? Their job is to impersonate women to make a living.......and Dorothy does exactly what?
And of course I can't now enjoy the original recordings of "West Side Story" or "King and I" or "Evita' or "Flower Drum Song" or so many of the 1950s - 1970s shows because of their "attitudes" and insensitive casting.
Lest I be accused of every kind of phobia in the world --- for several years I worked with homeless trans people, and also helped minorities find work. I have great compassion --- I am just not "woke" and I hope I never will be.
You folks who go on and on about "Tootsie" and other shows are destroying the beauty of live theater. It should be a celebration of diversity and hopefully is trying to be without your "help." It isn't always perfect --- but dear folks --- life isn't perfect. Have I been discriminated against in my life? You bet!!! For religious reasons, sexual persuasion, gender bias, etc. Did I become a professional victim? No....... I just moved on and found success. And this wasn't in the "woke" 21st century but in the 1990s!! Please (especially younger people) remember this. You can triumph. But don't get so hung up that you can enjoy absolutely nothing........and this is what I see happening over and over. We are more concerned with the birth certificate of a performer than how well they sing.
So I give up. You guys have left me nothing to enjoy on Broadway. No "Kiss Me, Kate", no "My Fair Lady" no "Carousel", NOTHING
And especially not "Tootsie."
Sad times ahead.
PS I went to Broadwaycon and attended a panel where one of the speakers begged folks to stay off social media (or at least not be so obsessed with it) that it was destroying live theater . I agreed then I agree now.
