Rocky load-out ended nearly two weeks ago, though it did last a while. I also walked by in two nights ago and saw some action near on the 7th Ave. entrance, but the Broadway entrance looked so sad and dark. Hope to see something brighten up the theatre soon!
The Golden and Schoenfeld are already taken by Skylight and The Audience, Pippin I imagine will still be running so that rules out the Music Box which only leaves The Jacobs, Booth and Lyceum, my money's on the Jacobs since I wouldn't be surprised if Once closes in January.
The West End transfer of Wolf Hall/Bring up the Bodies was at the Aldwych which is a 1200 seat theatre so I would think the RSC and the commericial producers would be looking for theatres with at least 1000+ seats which would rule out the Booth.
I thought the Winter Garden would be ideal for Bring Up the Bodies/Wolf Hall. Doesn't it require a fairly large stage? (The pictures sure make it look that way.)
It doesn't look like that technical of a production. I could see Can Can moving in. Surprised none of the Christmas shows have scooped it up for the winter.
It's not a huge show, the set is the same for both shows and to put a play into what is a big musical house is risky, it worked for All the Way at the Neil Simon but it may or may not be the same for Wolf Hall/Bring up the Bodies.
I don't like they're called it Wolf Hall part 1 and 2 but I know why they're are doing it since Bring up the Bodies didn't sell as well as Wolf Hall apart from on the double show days.
As I mentioned, I think it's risky to put plays in a musical house but it's a hit, it could pay off handsomely.
I think it's a great idea and makes complete sense to have it as wolf hall parts 1 and 2. Clearly shows to those not aware of the books that it's one completely linked story.
Looking for the $150 tickets for the marathon days - they're either the last few rows of the mezzanine or the far sides of the rear orchestra. I know it's a wide theater, so would the mezzanine be better? Thanks in advance!
I got tickets in the orchestra, but considered mezzanine. One of the reasons was the way the set juts out into the orchestra (see seating plan). I am guessing that a lot of the action takes place there.
The other reason I considered mezz was fear of getting someone tall in front of us for 6 hours or however long the play is.
I finally opted for orchestra (I went for the $200 seats) because I figured it was a bargain...$100 a performance and I am in Row H only 4 seats off the aisle (and the first three are premium).