i'd love to see ana move to the broadway production for at least six months.
i think it'd be brilliant for her career and her life experience and she is definitely broadway worthy! she is wonderful in the role
second to her, i'd like to see eden get it. with some consistency, she'd be able to work herself into a routine and thus her performances would do nothing but improve. being a stand by is a HELL of a life, let alone for a role like elphaba.
she needs a chance and some consistency. and to whoever said she cracked during the end of defying gravity...when you can belt an f above middle c for a long period of time painted green, in front of thousands suspended fifty feet in the air for the third or fourth time in your life, then you can comment. until then, don't hate her just for that! we're all human
"...But Kungurtseva reels off multiple fouettes and the tape is stopped so she can take a bow. The Jester, an abomination introduced to Swan Lake in Soviet times, extorts applause from the audience. The cuts don't help the storytelling, the production is bare bones and they go for the '50s-style happy ending.
The audience cheers like mad at the end. It's the Russian ballet, after all..."