I thought this was incredibly moving and extremely well done. I really loved the minimalist set as presented. I am a huge Adam Guettel fan, so definitely biased, but this score is simply transcendent and rich and the orchestrations were sublime. Taylor Trensch was a standout, and, having never seen Jeremy Jordan live, was amazed at Floyd’s characterization.
Side-note: Cannot wait to have “And She’d Have Blue Eyes” on the OBCR.
Didn’t know where to post, but anyone have any thoughts on weather to see this or Dead Outlaw? Have only one slot open on my next trip and would appreciate any thoughts for those who have seen both.
Ticket prices for this seem to have skyrocketed this week. I was looking at a ticket for $152 in the orchestra last week and this week that same ticket is $319. The cheapest ticket to the show is now $162.
How often do shows record the cast album before they even begin rehearsals for the Broadway run? Understand it has had lots of development time and a run in Chicago but strikes me as odd that they would record before their run begins. Seems like they know the show they have and won’t be changing the music or lyrics during rehearsal or previews.
Took me some time to gather my thoughts but I was blown away by what I saw last night. I have not been able to stop thinking about it.
Now, to be sure, it wasn’t a polished performance and there are numerous things that need to be worked out. I personally found the sound design extremely lacking and frustrating. I was mid-center orchestra and thought everything sounded quiet, including the largest broadway orchestra that could barely be heard. And I certainly hope they figu
Intermission now. The foundation is absolutely there and I have no doubt that this will become truly special. But for gosh sake, there needs to be serious work done to the sound design!
