Most of Feldman's criticisms seem to come from the practicality of staging an intimate show based around audience participation at a venue as big as the Hudson.
But he does also make an interesting point about how previous productions with an unknown actor at its center made the material come across as more genuinely autobiographical than it does with a star as big as Radcliffe. I saw a production of this in the town where I live a few years ago where the performer was a notable&nb
Jane will be the narrator. The rest of the cast includes Crystal Monee Hall, YDE, Paravi, Luke Ferrari, Michael Williams, Brittany Campbell, Javier Muñoz, Terence Archie, and Benny Elledge.
According to the Daily Mail. Tarantino "has written an original, old-fashioned British farce, in the door-slamming, trouser-dropping, mistaken identity vein of Brian Rix or Ray Cooney." aimed at premiering on the West End in 2027 or even late 2026.
Normally I wouldn't take the Daily Mail at face value, but the story was also picked up by Variety, so that gives it a little more credibility.
SteveSanders said: "Kad said: "Yeah the last thing I need to see is Trump from the perspective of the British."
Serious question:Is there a playwright whose perspective on Trump would you find appealing?
My hunch is Kushner could do justice to his terrible reign even if Trump himself was not necessarily a real character in the play."
Kushner himself mentioned in 2017 that he was working on a play about Trump (who he astutely described as being both "borderline psychotic" and "very boring") but indeed wasn't sure whether or not Trump himself would appear as a character in it
I recall Bertie Carvel got pretty good notices for his portrayal of Trump in The 47th a few years back. I have doubts he'd be in consideration for this, as it's presumably a substantially different sort of performance/portrayal.
