Profile for fashionguru_23

Brody, its funny you say that about Tracie Bennett. I thought to myself this is the closes that I will ever get to seeing Judy Garland live. Jinx defiantly I think will bring a great sense of strength and dignity to the acting scenes, but I can see it being more camp during the songs. 

I know its not the most accurate play, but I will say when I saw the show, I was begging Judy/Tracie to go with Michael Cumpsty, and hopefully she would still be with us...the power of emotiona

Call_me_jorge said: "Can we finally get Michelle Federer, Idina Menzel, and Chris Fitzgerald back in the recording studio to add the Wicked Witch of the East to the OBCR?"

Honestly, if I ever won the Powerball, this is something I have always wanted to do. I hoped maybe for the 20th anniversary, but he's hoping for the 25! I would also record all the cut songs, because I listen to the "Yellow Brick Road Not Taken" recording I found online years ago ever

I saw Just for One Day in Toronto in January. As someone who was not alive during Live Aid, I didn't have an emotional connection to the subject matter the way many others in the theatre did. I thought the staging of the cast on the bleachers was interesting, and the performance of Craige Els as Bob Geldof makes you exhausted when you think he does that twice on Saturday. But, there comes a point where they turn the last quarter into remaking the concert, which has me looking at my watch

I've said this elsewhere, but as someone who saw the Boston run, I really enjoyed this show, despite it being imperfect.

The final moments of Jackie standing in the completed foyer of the house, alone is impactful. It shows that the money can't buy everything, and it reminds me of the great lyric in "Thank Goodness" from Wicked: "Because getting your dreams, it's strange but it seems a little complicated. There's a kind of, sort of cost. A couple of thing

rosscoe(au) said: "Unless Disney go back to the German production without all the narration, the show is sadly not worth producing. This is from someone who loves it, and saw The La Jolla run ( Patrick Page and Michael Arden outstanding ) but those changes are not good. You don’t need the story to be explained."

To be honest, I didn't like all the narration either, but I feel like if it was just one or two people it would be fine. I always hate the change i

My first show was the Toronto company of Beauty and the Beast. I didn't make to to NYC until I was a teenager, where my first show was the final performance of the original cast of Legally Blonde. 

Side note: the Palace theatre is extremly special to me, as it was the first theatre on Broadway, but it also hosted my 3 favourite things in life: Beauty and the Beast, Judy Garland, and Sharon, Lois & Bram (a famous Canadian childrens entertainers). I have such fond memories o

There is a great book out there called "Jackie and Diana". Kind of a parallel lives thing, that I think could be great. I know we don't need another Diana musical so soon, but still. Side note: I have always wanted to do a production of Camelot but have a Jackie K-type for Arthur, JFK for Guinevere, and Marilyn Monroe for Lancelot.

I'd love another try at a musical of Picnic. I know they did Hot September, but I would like to try again. 

I've also alwa