Profile for fashionguru_23

Kad said: "KJisgroovy said: ""Frankly I'd like to see nonprofits be forced to divest from their real estate holdings if they're not in active use by the nonprofit for a certain period of time. Why should Roundabout get to control and profit off the Sondheim when they haven't produced a show there in almost 15 years?"

Of all the weird bootlicking things posted on here... this is one of the weirder ones."

How is that bootli

Melissa25 said: "If Versailles was raking in over $1M a week, this can too. I see all sisters and mother/daughter dates lining up. What I don’t understand is that I have not heard “Wind Beneath My Wings” in that Calgary clip or mentioned anywhere. Isn’t that chart topper in this musical? Why the hell not lead with that?"

I believe in the NYT article is says "Wind Beneath my Wings" is in the show. If indeed it isn't, I'm sure

I remember a few things from that year. As a frequent viewer of CUNY TV's Theater Talk (even to this day I rewatch episodes), there was a complaint that there were so many stars on Broadway, but then the next season they wondered where are all the stars were. 

2010 was also an incredibly lean year, at least in my opinion. Coming off of 2009, which had some really high points. I remember too Jen Cody (Foster's wife) being vocal, and there being a feeling that they were maki

blaxx said: "fashionguru_23 said: "There is the age-old question of defining a flop and a hit. I would strongly disagree that Ragtime was a flop, but to each their own."

You must have never invested money on anything if you think this is unclear.

Tell someone who have lost millions in an investment that you disagree their business flopped but at least they had a good time.

"

On a financial level, something like Ragt

Brody, its funny you say that about Tracie Bennett. I thought to myself this is the closes that I will ever get to seeing Judy Garland live. Jinx defiantly I think will bring a great sense of strength and dignity to the acting scenes, but I can see it being more camp during the songs. 

I know its not the most accurate play, but I will say when I saw the show, I was begging Judy/Tracie to go with Michael Cumpsty, and hopefully she would still be with us...the power of emotiona

Call_me_jorge said: "Can we finally get Michelle Federer, Idina Menzel, and Chris Fitzgerald back in the recording studio to add the Wicked Witch of the East to the OBCR?"

Honestly, if I ever won the Powerball, this is something I have always wanted to do. I hoped maybe for the 20th anniversary, but he's hoping for the 25! I would also record all the cut songs, because I listen to the "Yellow Brick Road Not Taken" recording I found online years ago ever

I saw Just for One Day in Toronto in January. As someone who was not alive during Live Aid, I didn't have an emotional connection to the subject matter the way many others in the theatre did. I thought the staging of the cast on the bleachers was interesting, and the performance of Craige Els as Bob Geldof makes you exhausted when you think he does that twice on Saturday. But, there comes a point where they turn the last quarter into remaking the concert, which has me looking at my watch

I've said this elsewhere, but as someone who saw the Boston run, I really enjoyed this show, despite it being imperfect.

The final moments of Jackie standing in the completed foyer of the house, alone is impactful. It shows that the money can't buy everything, and it reminds me of the great lyric in "Thank Goodness" from Wicked: "Because getting your dreams, it's strange but it seems a little complicated. There's a kind of, sort of cost. A couple of thing