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Broadway Grosses: Week Ending 10/26/25

Oct 28, 2025 — 4:55:45 PM

Transferring was a really stupid idea? I think that’s still TBD but money, as others have pointed out, was not a factor in transferring the show to Broadway. Those are very very wealthy women producing it and are seasoned Broadway producers. Money was not the aim.

Bull Durham at Paper Mill

Oct 28, 2025 — 4:48:12 PM

The show is wretched, it’s absolutely irredeemable. This should absolutely not come to ny, time to throw it in the trash and let it go. The score certainly stops the show in its tracks. That being said, the plot is bizarre and unclear at times what’s happening. The two leads make the best of it but that only takes you so far. It has that Tammy Faye, Bad Cinderella quality to it where you feel attacked while watching it because it’s so cringe.

LIBERATION Previews

Oct 28, 2025 — 3:51:36 PM

Liberation is a masterpiece. Hoping for amazing reviews tonight.

Archduke at Laura Pels

Oct 28, 2025 — 3:41:55 PM

I’m hoping this will be papered. I saw Liberation last year I think around Thanksgiving as well as Eureka Day, but Halloween is a big papering time as well. I’m trying to see Queens, Archduke, Practice, and oh happy day

4 big musicals for 25/26

Oct 28, 2025 — 3:04:26 PM

There’s also the two La Jolla musicals The Heart and Working Girl. Any chance Hercules comes in?

Ben Platt and Rachel Z in last five years, JRB directing

Oct 28, 2025 — 1:15:12 PM

You mean the man who handed him a career on a plate? Tells you everything you need to know about him. He sang Finishing the Hat last night and joked about there needing to be a revival on a thrust stage. It’s so weird everyone pandering to Lear Debessonet. Bart Sher was doing it too, it’s sad. Does anyone know why he didn’t get the top job?

Beau: The Musical

Oct 28, 2025 — 11:39:47 AM

He was mediocre in the nation tour of Company. Certainly no where near as good as Matt Doyle.

Oratorio for Living Things returns at Signature

Oct 28, 2025 — 11:35:02 AM

The only thing I liked was the acoustics and the chorus. It was like some boring concept musical except the concept is unclear unless you read the note from the playwright beforehand. Thankfully I did. But even still, I didn’t really understand what she’s trying to say. It doesn’t hold your attention at all. You can barely hear the lyrics because they overlap with one another or in a different language. Blank faces in the audience, bewildering experience.

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