Broadway Grosses: Week Ending 10/26/25

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: PUNCH (14.7%), LITTLE BEAR RIDGE ROAD (9.2%), LIBERATION (4.8%), BEETLEJUICE (2.2%), JUST IN TIME (0.2%),

Down for the week by attendance (% of capacity) was: SIX: THE MUSICAL (-14%), & JULIET (-7.2%), THE GREAT GATSBY (-6%), HELL'S KITCHEN (-5.2%), OPERATION MINCEMEAT: A NEW MUSICAL (-4.4%), MOULIN ROUGE! THE MUSICAL (-4.3%), HARRY POTTER AND THE CURSED CHILD (-3.6%), MJ (-3.2%), ALADDIN (-3%), THE QUEEN OF VERSAILLES (-2.6%), CHICAGO (-2.6%), STRANGER THINGS: THE FIRST SHADOW (-2.4%), THE OUTSIDERS (-2.4%), THE LION KING (-2.3%), HADESTOWN (-2.2%), THE BOOK OF MORMON (-1.5%), DEATH BECOMES HER (-0.9%), BUENA VISTA SOCIAL CLUB (-0.9%), MAYBE HAPPY ENDING (-0.8%), ART (-0.8%), MAMMA MIA! (-0.5%), OH, MARY! (-0.4%), HAMILTON (-0.2%), CHESS (-0.2%),

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Chess only missed the box office record for the Imperial by about $6K with only 7 performances. Maybe next week.

its going to be interesting to see if they can sustain this or if it will settle down into the $1.2-$1.4M range of the likes of JIT, MHE etc.

Updated On: 10/28/25 at 04:07 PM

The financial love lavished on JUST IN TIME continues to absolutely blow my mind. Even if I was bored by it, it’s a bona fide hit and credit where credit is due (especially since Groff has yet to miss a show for any reason).

CHESS does not surprise me, but it’s notable that the audience is front-heavy and many shows are very undersold going into the holiday season. One thing that will keep them making a few extra bucks is the fact that they tend to lower prices on their own site closer to the show time and so they still sell a seat while minimizing loss of revenue plus whatever they would pay out to another company to sell on their behalf.

Even with Jane out (planned) both shows on Sunday, OH, MARY continues to print money. This show is going to run a LONG time past the current July 2026 closing date. There is quite a bit of interest from performers on the casting end and so it’s just a matter of scheduling and finding the right pairings.

LITTLE BEAR RIDGE ROAD could definitely use some sterling reviews to boost those numbers, but even if it doesn’t, it’s four people and barely a set. They could easily run until AT LEAST January (closing is schedule for 2/8/26). LIBERATION on the other hand…transferring was a really stupid idea and these numbers are the proof. When your ATP is lower than your rush price, time to call time of death

And that’s all my brain has communicated to my thumbs for now…

Updated On: 10/28/25 at 04:50 PM

Hamilton's grosses are down for the second week in a row. Hope they can make it until January.

Another username for the block list.

While I don’t care to dignify anything they said, even the wealthiest producers still care about a bottom line. They may take on a venture expecting to lose money, but ultimately how much they (or the theatre) are willing to lose eventually does become the focus.

BensHairyAss said: "Transferring was a really stupid idea? I think that’s still TBD but money, as others have pointed out, was not a factor in transferring the show to Broadway. Those are very very wealthy women producing it and are seasoned Broadwayproducers. Money was not the aim."

I wouldn't have seen it if it hadn't had transferred and I absolutely adored it so... that's just another small reason why it wasn't a stupid idea.

quizking101 said: "Even with Jane out (planned) both shows on Sunday, OH, MARY continues to print money. This show is going to run a LONG time past the current July 2026 closing date. There is quite a bit of interest from performers on the casting end and so it’s just a matter of scheduling and finding the right pairings."

As someone who went to see Jane and went on Sunday, I'd be interested to know when it was planned. There was no notice on telecharge, nor did the box office say anything when I went in and bought tickets a month ago for the performance.

I'm very happy for their success and hope they continue to run for a while. But I am not happy with how they handled Jane's absence. No email. Zero warning. Zero communication. Only a playbill slip after you were sitting in your seat. I'm now also remembering they handled Tituss' first absence very poorly.

He had great energy and commitment but I’ll forget Groff’s performance long before I forget Darren’s.

We still think about Groff's energy / charm & Francis' stunning mix of acting nuance and vocal. Forgot about Criss' the moment I left the theater. Only his wig and make-up designs remembered. The musical is the star of MHE. I will be produced from black boxes to regionals without the, never to recoup, production.

We agree. The Tony was not Criss' - but luck Groff had won the year before - and Francis was leaving his show.

Updated On: 10/29/25 at 10:41 PM

CoffeeBreak said: "We agree. The Tony was not Criss' - but luck Groff had won the year before - and Francis had left hisshow."

Except Francis didn't leave Sunset until July 6, four weeks after the Tonys.

CoffeeBreak said: "it was known he was leaving though and he was more impressive to us."

Criss was also announced to be leaving, and more impressive to the Tony voters.

You have been posting horsesh!t about MHE for more than a year because of whatever dumb grudge you have against the producers. Get over it. Move on. Audiences love Maybe Happy Ending. Really it is only still at the start of its upwards projectory. Once it goes on tour and even more people get the opportunity to see it, its popularity will only grow.

Updated On: 10/29/25 at 07:48 AM