He sure was!
I was working at the Music Center at the time Guillaume was the Phantom. I saw his performance MANY MANY TIMES.
There was nothing inherently wrong with casting an African-American in the role... except for ONE thing... the white, lonely, romantically starved Phantom "Phans" had a VERY difficult time getting their "fix." They just didn't leave the theatre with the wet panties a white Phantom gave them. Pardon me for being so crude...but it is true.
I'm not making this up either. I was in close contact with the Phans and they were pretty vocal(to lily white me anyway) about sitting out Guillaume's run in the show till a more suitable (read "white") person was cast.
Also, you have to consider that Guillaume just replace Crawford.. so the lonely gals were in some state of "mourning."
Now..
One the subject of Guillaume's performance. He was a very ANGRY Phantom... not the soulful, erotic creature of Crawford.
This is bit extreme.. but...he was closer to Ike Turner than Don Juan. There were times I thought he was going to haul off and bitch-slap Christine!
I was there for a private after performance discussion with a group of black members from the audience. I distinctly remember Guillaume saying that he intentionally was trying to bring a "black sensibility" to the role.
I remember thinking.. "what the hell is he talking about? This is Phantom.. not RAISIN!
Anyway.. whenever I see or hear a black actor play a traditionally white role with a tad too much anger (ex. Diahann Carroll in SUNSET BLVD, or Audra McDonald in PASSION.) I can't help think "Is this what Guillaume meant by black sensibility?"
As a side note: The one adjustment in costume they made for Guillaume was to have a "silver" mask instead of a white mask.
What great ones do the less will prattle of
Updated On: 3/20/09 at 11:42 PM