"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
Why the f*ck would you put Hair in an insane asylum?!?!?!?!?!?!?!
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
Formally Stews_Bitch:::
Shows in the 2010 Season for me. 101 Dalmations tour - Jan 24th, Xanadu Tour - Mar 9th and 10th, Wicked - May 14th, Legally Blonde - June 12th:::::::Upcoming - South Pacific, Young Frankinstein (Two Cities) Rock of Ages (Two Cities) Shrek (3 Cities) Les Mis, DreamGirls, Spring Awakening, Color Purple, and 9 to 5!
When I first saw that "I got life" I thought, Ew. But it's actually kinda intestesting. And that arrangement of "Age of Aquarius" is actually quite good.
Coach Bob knew it all along: you've got to get obsessed and stay obsessed. You have to keep passing the open windows. (John Irving, The Hotel New Hampshire)
This looks like a poorly directed production with an interesting new concept, with a few moments that actually land.
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
I've seen 6 of the videos, and I only liked 2. Read carefully, I said 'SEEMS', not 'IS'.
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
Having actually seen the production, I can say that it struck me as a somewhat pretentious attempt at an update that effectively demonstrated that the show didn't need one, but it did have a few extremely resonant moments.
"Why, I make more money than... than... than Calvin Coolidge! PUT TOGETHER!" ~Lina Lamont
scott, I'd like to hear more about this production. How did all the songs fit into the idea of taking place in an insane asylum? Did it still take place in 1968?
It didn't specifically take place inside an insane asylum. There was some convoluted explanation of the set and why they were bald in the program, but insane asylum it wasn't. You must be getting this one confused with the production of South Pacific that Anne Bogart directed at NYU that took place in a veteran's hospital! (Which was way more successful than Hair, FYI.)
As far as the show goes, not a lot landed, but it looked cool and there were some great arrangements of the songs.
They've stripped away everything the show is about for the sake of being "edgy."
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Yeah, I'm not sure where the insane asylum thing came in. The conceit of the production was that in our times, a shaved head is more subversive than long hair, so the entire cast shaved their heads, male and female alike. The set and (if I remember correctly, although it was threeish years ago) the costumes were all white, with lots of colored light effects. The nudity was much more played up than in your average production, I believe in more than one scene.
All in all, I don't think the specific ideas or changes they enacted really added up to much more than doing the show a bit more... traditionally, if you can use that word to describe Hair, would have done. That said, I can still remember how powerfully the show ended, with the curtain closing right over the cast still extremely angrily singing.
"Why, I make more money than... than... than Calvin Coolidge! PUT TOGETHER!" ~Lina Lamont