bfreak, yeah, I'm with ya. With those last two films I felt like I was witnessing the work of an unapologetic romantic with a keen sense of humor and joyfulness about the pleasures of filmmaking. I felt that exuberance in virtually every scene - not just in the dialogue or the interactions between the actors, but sometimes simply in the way Russell choreographed his camera as it swerved, dipped and dived - it was almost balletic.
I'm generally not a fan of film musicals, but I think Russell could be an interesting choice for one. He certainly knows how to use music to heighten a moment.
I also recall that strange backlash that seemed to settle in on American Hustle a few weeks after its release. I remember seeing more than one Oscars roundtable with critics - like the KPCC/Southern California Public Radio one and one of the biz print ones - perhaps Hollywood Reporter or Variety and hearing that silly word "overrated" so many times. Though, if you look at Metacritic you'll see a 90% rating and at Rotten Tomatoes it has 96% from top critics. I mean, that's pretty close to universal raves. Ah, well, his work's clearly not for everyone.
I guess I kind of understand this Emperor Has No Clothes mentality - though I obviously don't agree with it with regard to Russell - I certainly feel that way with every Christopher Nolan release. It's laughable to me that for at least a certain segment of the population that that hack is considered one of our great modern American directors.