Well, it may in fact be a dream; a nightmare, more likely. I think it's very open to interpretation. Probably more of an allegory than a dream, since it seems pretty clear that these sorts of clubs actually did exist right before everything fell apart in Berlin. Cabaret is based on the play I am a Camera, which is based on Christopher Isherwood's book, The Berlin Stories, and several of his other memoirs and works. In it, he writes a lot of description about a club, and a young man who could excecute perfect splits, dressed in drag, suspenders, glittered nipples and lots of makeup - the man who would become Kander and Ebb's Emcee.
Originally, Emcee was much less important; as the productions changed, he took on a more narrative presence. In the revival, he was almost always on stage somewhere, watching, observing and commenting on what was going on around him. He very rarely interacted with the other characters. Originally, Joel Grey said that he was a representation of Hitler. More recently, he's gone on to be a representation of all that Hitler destroyed - a much less sinister, more vulnerable person, almost without any identity at all.
ETA - Chloe, you and I posted at the same time. It's on my list of books to read, as soon as I can get my hands on a copy. And yes, Sally was real. She was killed in a concentration camp.
A work of art is an invitation to love.
Updated On: 1/4/05 at 09:35 PM