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Your Most Begrudged Oscar Snubs — Page 2

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#26

Your Most Begrudged Oscar Snubs

Richard Burtin in 1984. They gave his nomination to the other dead legend, Ralph Richardson.
"Through The Sacrifice You Made, We Can't Believe The Price You Paid..For Love!"
#27

Your Most Begrudged Oscar Snubs

I still think BELOVED is one of the worst movies to be made since history was born.

Absitively posolutely.
Pretty pretty please don't you ever ever feel like you're less than f**ckin' perfect!
#28

Your Most Begrudged Oscar Snubs

Paul Giamatti in AMERICAN SPLENDOR and SIDEWAYS. His nomination was bumped for Bill Murray's somnolent turn in the abominable LOST IN TRANSLATION, and for Clint Eastwood's amateur hour neck clenching in MILLION DOLLAR BABY.

Not that these award things mean anything, of course.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#30

Your Most Begrudged Oscar Snubs

Roger Ebert put himself out there as the one man campaign for Angela Bettis to get an Oscar nomination for her leading work in May. It is a virtuoso performance that received raves at film festivals around the world and eventually saw its ways to theaters in summer 2003.

A film that small never stood a chance unless others triumphed it. Ebert was the only US critic to try get the film some recognition beyond publishing a review.

Mia Farrow in Rosemary's Baby goes without saying.
#31

Your Most Begrudged Oscar Snubs

I forgot to add Kirsten Dunst's performance in MELANCHOLIA, another performance that I thought should have won and didn't even get nominated.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#33

Your Most Begrudged Oscar Snubs

There does seem to be something of a conspiracy to keep von Trier's performers from getting Oscar noms. There's been nothing since BREAKING THE WAVES, which means that Bjork's marvelous work in DANCER IN THE DARK went un-nominated.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#34

Your Most Begrudged Oscar Snubs

I also thought Charlotte Gainsbourg was worthy of a nomination for ANTICHRIST. No one was happier than me to see Meryl Streep win a third Oscar, but it'd be ridiculous to say that Streep's performance (or any of the five nominated performances last year, including Viola Davis) were stronger than Dunst's completely unexpected but oh so wonderful work in MELANCHOLIA. And no, I never thought I'd say Dunst gave a better performances than Glenn Close, Viola Davis, Meryl Streep and even Michelle Williams.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#35

Your Most Begrudged Oscar Snubs

How has no one brought up Nicole Kidman for her extraordinary performance in TO DIE FOR? Best she's ever been.
#36

Your Most Begrudged Oscar Snubs

"Albert Brooks should have been nominated last year for DRIVE."

Agreed. Can't believe he wasn't.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#37

Your Most Begrudged Oscar Snubs

This is a genuine question, not meant to be snarky at all, but can you guys talk a little bit more about why you were impressed by Brooks in DRIVE? I've only seen the movie once, and loved it. I thought the cast was excellent, but I was left wondering why Brooks' performance had won so many critics' prizes. I thought he was good, but he wasn't in my top five supporting actor performances of the year. Maybe I need to rewatch the movie away from the Oscar season hype?


"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"

Updated On: 12/17/12 at 03:41 PM

#38

Your Most Begrudged Oscar Snubs

I found Brooks performance in DRIVE to be against type and convincing as this terryfing figure. The scene he has with Bryan Cranston in Cranston's garage shop is both subtle and scary.
#39

Your Most Begrudged Oscar Snubs

Yeah, it's really a triumph of playing against type to great effect. Brooks has played affable villains in The Simpsons, sure; but Drive was a different beast all together.

Drive was one of my favorite movies of last year and it's a shame that it had little awards love. It was easily one of the "coolest" films I have ever seen, and almost effortlessly so. It made all the summer blockbusters look square in comparison.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#40

Your Most Begrudged Oscar Snubs

I think I'd only seen Brooks in WEEDS (where he played a real jerk) before DRIVE, I've never seen BROADCAST NEWS. I also knew him from his voice work in FINDING NEMO, which is definitely different from his role in DRIVE. Maybe I need to watch the movie again.
Kad, I do agree that DRIVE was a great movie. Talk about an Oscar snub I begrudge, it also should have won the Ensemble prize at the SAG (for which it also didn't get nominated). You should watch HOLY MOTORS if you haven't already, it's nothing like DRIVE but some of the mood of the movie reminded me of that.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#41

Your Most Begrudged Oscar Snubs

The subtlety of Brooks' performance is what impressed me most. I was disappointed he wasn't remembered last year, too.

The film itself doesn't really hold up on repeat viewings, though.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#42

Your Most Begrudged Oscar Snubs

Never mind, Ray. I swore she (Helena) won something. I remember Melissa Leo doing a great job though, so I guess I'm a little less sore about it. :)
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
#44

Your Most Begrudged Oscar Snubs

Oh, she will, Jordan, how can she be denied? :-P
Brave, Helena Boham Carter's big award that year was the BAFTA, Melissa Leo wasn't even nominated and Hailee Steinfeld was nominated for lead (rightly so). I think Carter was kind of the obvious choice for them, at least in that context.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#45

Your Most Begrudged Oscar Snubs

Somehow left Charlize Theron for YOUNG ADULT in my original post, ray.

That's really just a movie/performance that plays well to such a small group of people. It's so interesting to hear what people have to say about that movie. My mother couldn't get through it, said it was too sad.
#46

Your Most Begrudged Oscar Snubs

Robbie, was To Die For the one with her as the "reporter" who gets the kids to kill her husband?
KFTC!!!!!
#47

Your Most Begrudged Oscar Snubs

Yes, Stockard.

Bonham-Carter in The King's Speech was rather ho-hum. She simply road the coattails of the movie's enormous success to a nomination.




Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia

Updated On: 12/17/12 at 09:05 PM

#48

Your Most Begrudged Oscar Snubs

I watched it again last night and I still can't believe Michael Giacchino didn't win Best Original Score for The Incredibles, let alone not even receive a nomination.
"You mean what was the best picture of the year or what did they pick as the best picture of the year?" - California Suite
#49

Your Most Begrudged Oscar Snubs

That is a shame, I love that movie, Giacchino went on to have such a great career though, his work in LOST is iconic (and so good) and he eventually won for his gorgeous UP score.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#50

Your Most Begrudged Oscar Snubs

High off of her golden globe win for Best Actress in 1996- madonna deserved an oscar nom for Evita. Not a win, but at least a nom recognition.

I mean...that was the year Frances McDormand won for Fargo....

and where are the rest of those nominees from that year?
Kristin Scott Thomas??

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