1776 Casting — Page 3

Auggie, I believe a black actor did play the Courier when the show was done at the Papermill at few years ago. But it remains a good idea, and I wouldn't be surprised to see it done here.

Everyone seems to get skid marks in their panties over this. I think it's interesting for a five day concert. It seems fun and interesting. And if you think there should be an all white RAISIN IN THE SUN or THE COLOR PURPLE. Do it! Do it! Quit bellyaching and trying to be obtuse.

Updated On: 10/10/15 at 05:06 AM

SmoothLover said: "I think the show was chosen because it is a will be a big political year. I don not think it had anything to do with Hamilton"

“We chose to do 1776 in part because of the success of Hamilton." - Jack Viertel, Encores! Artistic Director

Updated On: 10/10/15 at 06:42 PM

Kad said: ""Molasses to Rum" is one of the most scathing pieces of musical theatre to ever be written- a thorough indictment of our forefathers and their complicity in the slave trade, even those who championed freedom. Its power would not be diminished if it were sung by an actor of color. "

But would it not be strange to have an actor of color arguing in favor of the slave trade? There are many black actors who could do the song great justice, but would not be appropriate for the character in a fully realized production. If it were a concert production, where the emphasis is on the music and not on the book, I'd love to hear Brian Stokes Mitchell take a stab at it. In a fully stage production, it would be hard for me too buy the fact that an African American man would encourage slavery.

I will restate, the only time I find colorblind casting to be a bad idea is when issues of race play a key role in the show's plot. I have no problem seeing a black actor take on the role of Hamlet opposite an Asian Gertrude, which I have seen and really didn't think anything of it until I heard two older ladies talking about it after the show.

In Hamilton there are a number of references to Jefferson having slaves and Daveed Diggs plays Jefferson. The color-conscious casting of Hamilton still works.

Also evidently Hamilton originally had a third cabinet battle about abolition, with Jefferson being pro-slavery. I think it will be on the mix tape.

Updated On: 10/11/15 at 08:30 AM

Right I don't dispute that. That's why I used the term color-conscious. But I think you could still do a version of an existing show and consciously bring a different meaning to it by casting a POC. I haven't seen 1776 since I was a middle school kid and saw it as a movie (and I was a brat and didn't pay attention) but I can imagine there being a way to add extra meaning to a song about slavery that is an indictment of our founding fathers (again, haven't seen it but that's how it's been described by folks here) by intentionally casting a black actor. I'm not saying that's what 1776 is going to do since they used the word "color blind" but that phrase seems to be used rather loosely so we don't know what they'll really do at this point.

Either way I've wanted to see this show for awhile so this may be the first encores show that causes me to make a special trip since I don't know when I'll get another opportunity to see it.

Updated On: 10/11/15 at 10:11 AM

In my opinion when the plot is specifically about historical white founding fathers dealing with slavery you need to understand that perspective. For me colorblind casting for 1776 is closer to stunt casting and a directorial choice. Having Rutledge's song sung by a black performer is obvious and a cheap choice.

And you have Hamilton for that already. An historically correct 1776 being presented simultaneously gives the achievements of Hamilton more gravitas. I really don't see what the casting would do for a piece written for historical accuracy which Hamilton was not - the perspective of Hamilton is so brilliant trying to graft that onto 1776 would diminish it. 1776 was written by a history teacher if I remember correctly. Not sure if he is still alive but it would be interesting to get his perspective.

It's a show that is largely about the way people of one color treated those of another color at a certain pivotal moment in history, with all the characters representing one group in this color divide. So, it's certainly an audacious idea. Whether it can work or not.... too early to tell. (I have yet to see Hamilton, so I'm not able to comment on whether Hamilton deals with color divisions in any way comparable to 1776).