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2021-22 Tony Award Eligibility Rulings- Page 2

2021-22 Tony Award Eligibility Rulings

JBroadway Profile Photo
JBroadway
#252021-22 Tony Award Eligibility Rulings
Posted: 12/10/21 at 12:05am

IIRC, people disliked Watanabe mostly because they found it difficult to understand him through his real-life accent. For my money, I thought his performance was excellent in all other regards.

I sometimes had trouble understanding him, particularly at the beginnings of sentences -  by the time he reached the middle/end of a sentence, I was usually able to retroactively infer what he had said without much difficulty. It required a bit of active listening, and maybe some effort to understand, but isn't that what The King and I is really about? 

In any case, I guess enough of the nominators agreed with me, and they were more likely to already be familiar with the text going in - and thereby have less difficulty understanding him. 

binau Profile Photo
binau
#262021-22 Tony Award Eligibility Rulings
Posted: 12/11/21 at 5:34am

I would be SHOCKED if Carmen isn’t nominated.


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

AEA AGMA SM
#272021-22 Tony Award Eligibility Rulings
Posted: 12/11/21 at 5:47pm

ggersten said: "does the committee act on its own or was the category based on producer petition/position?"

Both. The producers have the option to petition, which the committee can approve or deny. The committee also has the power to make decisions on their own. Say, for instance, the producers of Diana decided not to petition for the category change for Jeanna de Waal. The committee would most likely take it upon themselves to make that category change regardless, as there would be no way to argue that the role of Diana is not the lead in that show.

Wayman_Wong
#282021-22 Tony Award Eligibility Rulings
Posted: 12/11/21 at 8:35pm

''Or Watanabe got a nomination because he was excellent in the show.''

Count me among the many who found Watanabe disappointing and didn't think he deserved a Tony nomination. And I was far from alone. Michael Riedel even devoted an entire column in the N.Y. Post to this:  ''For weeks, my spies were telling me that nobody at “The King and I” could understand a word Ken Watanabe was saying. And when I say nobody, I mean nobody — from the actors to the audience to the ushers.'' I wish that Watanabe's nomination went to someone else I admired more: Michael Esper in ''The Last Ship'' or Peter Gallagher in ''On the 20th Century.''

''I would be SHOCKED if Carmen [Cusack] isn’t nominated.''

The only problem is that Leading Actress is so crowded. And it's only December. How well will the nominators recall Cusack's performers 5 months from now? On the other hand, Leading Actor in a Musical is less crowded. Obviously, there's Hugh Jackman, Billy Crystal and Rob McClure, but that still leaves two more slots. Who gets in? Ramin Karimloo in ''Funny Girl''? Myles Frost in ''MJ '? Tony Yazbeck in ''Flying Over Sunset''? Jay O. Sanders in ''Girl From the North Country''?

Updated On: 12/11/21 at 08:35 PM

HenryTDobson Profile Photo
HenryTDobson
#292021-22 Tony Award Eligibility Rulings
Posted: 12/11/21 at 10:11pm

Wayman_Wong said: "''Or Watanabe got a nomination because he was excellent in the show.''

Count me among the many who found Watanabe disappointing and didn't think he deserved a Tony nomination. And I was far from alone. Michael Riedel even devoted an entire column in the N.Y. Post to this: ''For weeks, my spies were telling me that nobody at “The King and I” could understand a word Ken Watanabe was saying. And when I say nobody, I mean nobody — from the actors to the audience to the ushers.'' I wish that Watanabe's nomination went to someone else I admired more: Michael Esper in ''The Last Ship'' or Peter Gallagher in ''On the 20th Century.''

That NY Post article was written during previews, his diction improved greatly over the run. It was a crass article used to stir the pot, no surprise from Riedel. 

 

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DramaTeach
#302021-22 Tony Award Eligibility Rulings
Posted: 12/12/21 at 7:00am

Based on what I just saw at MJ, yes to Myles!

Smaxie Profile Photo
Smaxie
#312021-22 Tony Award Eligibility Rulings
Posted: 12/12/21 at 5:52pm

Sauja said: "So...as many performances as will be in this category, is anyone a lock other than Clarke? I feel like Sutton is the second closest to a lock without anyone having even seen her. Everybody else...it could be a wild race. And if the love for Six is strong enough, I think we could see several make it in. That may be unlikely, but I don't think it's impossible!"

Joaquina Kalukango received raves for her performance in Paradise Square in Chicago. Chris Jones in the Chicago Tribune said: "The show has a star turn from Joaquina Kalukango that will be formidable competition for anyone and everyone come Tony Awards time.” I think she's likely to score a nomination. 


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