I'm not sure. Student rush obviously tends to be worst for teeny boppery shows, which this...isn't, exactly. But it does star two actors with big followings that include high school and college students.
The ladies who watched BFO 40 times aren't going to be the ones clogging up SRO lines - they can afford to buy tickets repeatedly.
I suspect that drama students would also show a major interest in this play. The play itself, a two-character gritty and harrowing drama, had gotten very good reviews from the critics of the Chicago production ( although disputed by some theatre fans here and on ATC) but the acting and directing virtuosity was agreed upon as excellent. Contrary to some people's expectations of Hugh and Daniel, they are not simply movie stars ( of mainly action-oriented movies) who want to dabble with the theatre. Both are formally trained in dramatic and classical theatre ( Hugh went to WAAPA in Australia while Daniel attended Guildhall in the UK). They are also fine movie actors. So, presumably the interest will not just be because they are good to look at - but because we may just be surprised by the acting quality that two versatile actors can deliver!
I am looking forward myself to that aspect very much -- even if I had been a repeat patron of "TBFO" and had actually discovered Hugh in London when he was Curly in "Oklahoma!". If you had seen him in the movies Erskineville Kings, The Fountain, and The Prestige, there is much to anticipate about this return to the theatre by Mr. Jackman!
it's cool lol. how many SRO positions is there in the schoenfeld? even tho it's not a teeny bopper musical, what jo said about the drama students will definitely happen. if they set a certain row aside for student rush, i'd guess they will be about 30 cheap tickets avavilable for each show, hopefully more(student rush and SRO).
BROADWAY IMPACT!
TAKE ACTION! EQUALITY!
http://www.broadwayimpact.com/
I honestly don't remember how many SRO seats there were. 10-15, maybe? I think I remember my friends have 5-6-7, and we were pretty close to the middle.
I did rear mezz, too. It's that middle price range that puzzles me. Why pay $20 extra a ticket to sit at best one or two rows in front of the people paying $20 less?
This article is about ticket brokers complaining about no discounts/commissions, but there's also a possible spoiler in it as to the subject matter of the play, so keep that in mind before you click. NY Post