She is definitely an odd-man out, for sure. I think Angela's unquestioned Broadway track record does diversify the audience somewhat. To see the smiles on the faces of audience members (and I saw the show enough times that I could do that) during the more showy moments of her character (dancing, recitating incantations) was a particular joy for me.
I really like what Marian Seldes said during "Deuce" about the atmosphere Angela helps to bring out in an audience:
"It's an extremely thrilling experience to play this play with her not only because she is a great actress and a beautiful actress, but because she's so beloved that when the audience first sees her, when the lights come up, something happens in the theater like an explosion of love which is transmitted by applause and sort of whooping and sounds, and I interpret as it saying to her 'thank you, thank you for coming back to the theater,' and the fact that I am there too, I want to thank her..."
As far as "Blithe Spirit" is concerned, it is such a brilliant comedy with a justified track record that, even if it is dated, it is precision-tooled to charm audiences and pack laugh after laugh, and each time I went the audiences never changed in their response to it.
2010
Feb. 28 - Looped, Feb. 28 - Next to Normal, March 4 - Hair, March 11 - A Little Night Music, March 24 - Time Stands Still, April 6 - La Cage Aux Folles, April 10 - Anyone Can Whistle (City Center), April 10 - Looped, May 9 - Enron, May 15 - A Little Night Music, May 15 - A Behanding In Spokane, May 30 - A Behanding In Spokane, May 30 - A Little Night Music, June 20 - A Little Night Music, June 23 - Red, June 23 - Sondheim on Sondheim, July 13 - A Little Night Music, July 18 - The Grand Manner (Lincoln Center)
Updated On: 11/3/09 at 05:02 PM