Listen, folks - the Broadway experience is a personal experience. Seeing a play is a very personal experience. Wanting to meet (and yes, I know they will come out and say hello and what not, but now that experience has been systematically regulated and rendered stilted and joyless) the people who make that experience happen is part and parcel of that for many people. Having that possibility is part of mix. I feel that to exploit this mars the Broadway experience because it undermines the relationship between the actors and the audience and, yes, saps the class from the experience and leaves the actual artistry in the background.
It would be like going to a concert and getting Elton John's autograph and then him asking you for $500 for a donation to his AIDS charity.
It's in very poor taste - the height of poor taste - to charge for an autograph or picture, even if it is for a charity.
Never once did I say that getting autographs or pictures is essential or an entitlement. Rather, that was pushed upon me - not surprisingly, given the disgusting climate of this message board. A few intelligent, articulate people who are present here keep me coming back, but that's it.
Let me put it this way - when I met Jackie Mason (not on Broadway) and he was kind enough to pose for a picture with a few of us who waited for him he jokingly asked me for 6 bucks after the picture was taken. He joked about it because even Jackie Mason knows how tasteless and off-putting it is to request money in exchange for something like that.
Bottom line - "A Steady Rain" is a dramatic play by Keith Huff. Selling charity items for prices that go far beyond ticket prices - and barring less wealthy fans from those things as a result, and the ensuing tumult - threatens to compromise the actual act of staging the play...as if it wasn't taking a back seat already to stage door commotion.
The appeal of Jackman and Craig, from a personal standpoint, fails to register across my radar. I find the stage door mayhem that I've witnessed outside the theater to be inexplicable. I just don't get it. However, live and let live.
For me, it is a personal choice to avoid seeing shows where the people are there almost exclusively to and see celebrities and have no investment in the content of the play or musical being staged. I only make exceptions to that where there is an actor or actress I really admire in the production and wish to see perform, such as Marcia Gay Harden in "God of Carnage," for example. I feel this way because I believe the audience is a crucial part of what you're going to see.
Seeing the June 13 evening performance of "Exit the King," for example, was absolutely the most pleasureful experience I have had sitting in a Broadway audience. It was because the audience was there to *see the play*. You're never going to get that kind of an audience surrounding you at "A Steady Rain," and there was probably no audience like that to be had at the "All My Sons" revival, either. I also evoided "Equus" for that reason, in spite of Richard Griffiths' presence. When Scarlett Johannsen (sp?) drops in to perform in that Arthur Miller revival it will be the same case.
As if the artistry and genuineness wasn't already compromised enough...you get the idea. Hopefully.
It would make more sense to add an extra benefit performance of the show and donate the profits from that. It would probably raise as much money, if not more.
2010
Feb. 28 - Looped, Feb. 28 - Next to Normal, March 4 - Hair, March 11 - A Little Night Music, March 24 - Time Stands Still, April 6 - La Cage Aux Folles, April 10 - Anyone Can Whistle (City Center), April 10 - Looped, May 9 - Enron, May 15 - A Little Night Music, May 15 - A Behanding In Spokane, May 30 - A Behanding In Spokane, May 30 - A Little Night Music, June 20 - A Little Night Music, June 23 - Red, June 23 - Sondheim on Sondheim, July 13 - A Little Night Music, July 18 - The Grand Manner (Lincoln Center)
Updated On: 10/31/09 at 11:10 PM