It's also possible that MTI will authorize one of us to do an audiotape of CITY OF ANGELS, or they may actually send out their own spies. I've been to playhouses that were shut down without notice--cops and everything--because of this sort of thing. The audiences showed up and there was police tape across the front doors.
in "Too Many Mornings", the actor/wannabe pop singer who playsBen makes a pretty significant line flub: "SPENDING time with you" (which is what he said) is far different from "WASTING time with you" (which is Sondheim's original lyric).
A director at my college made some line changes and cut a number from "Company", and it was reported to MTI. There was no legal action- it was a student-directed black box theatre production, which I guess doesn't count high on MTI's list of priorities (even though it was NYU, so it is slightly more reputable than community theatre)-- so I can't imagine the James Street Players will be facing much. They may send someone to see City of Angels, but they didn't do that at NYU either. The only thing that did happen was that the director actually received a LETTER from Stephen Sondheim (which despite its tone is now framed for posterity) to the effect of "Dear So-and-so, In the future, please reconsider before taking artistic license with the work of an author. If we had meant for the show to be done that way, it would have been written that way. Sincerely, Stephen Sondheim" and then he was asked to send a formal letter of apology to MTI.
So, James Street- you should probably think again before making any "corrections" or "improvements" on the libretto to City of Angels (if you could call adding a narrator to Loveland either a correction or an improvement...I would not)...but I don't think they're going to sue the pants off of you or anything,
^ R&H shut down a Dallas production of Oklahoma for making changes.
Sondheim nearly shut down a production of Company in Australia b/c it cut a character.
A few line cuts, that happens, and I don't think the liscencing companies care that much. The addition of lines, or songs, or characters is what they care about.
This thread was interesting for a time, but I'm beginning to believe what some people are saying: that the whole thing was as real and Brendan Stryker's death.
Maybe we’re looking at this all wrong. James Street Players may be made up of special people. You can’t have that many people in one acting group and not think that they aren't special. Let’s give them a break. They meant well and did the best they could with what they had.
According to You Tube, it was MTI that took the videos off. How can that be, when I've been told (in this thread) that Tams-Witmark controls the rights to FOLLIES?
The currently licensed version of Company is already such a bastardization of the original piece, I can't imagine why anyone would care what is done to it now. The book has major changes, the orchestrations and vocal arrangements have major changes, and the insertion of "Marry Me A Little" at the end of Act I just makes no sense.
hmmm...interesting. Did someone on here actually tell MTI or Sondheim, or maybe MTI watches message boards like this? Oh well, the world is a better place now that that damage is off the internet.
Now back to wondering about the Kennedy Center production...I sure hope this guy from James Street takes over directing it and brings along his Buddy, conductor, and musicians!
Or at least they'll stop posting badly performed shows that brag about altering the writers' intent.
There's a lot of material on YouTube that violates copyright yet serves as a positive advertisement for more valuable uses of the copyrighted material.
The producers of Wicked were the first to realize all those YouTube videos of little girls shrieking through "Popular" and "Defying Gravity" were the best free commercials they could ever get.
Once the director of this one (or the sock puppet claiming to be the director) bragged about altering the script and score, legal action was simple and swift.
And, no, that does not MEAN that Sondheim's evil lawyers will be pulling down every Sondheim video on YouTube. You only have to look at the use of YouTubes in Sondheim on Sondheim during "Send in the Clown" to see his tacit (and bemused) approval.
Pal Joey: Exactly right. Steve hates this sort of thing, was grateful I brought it to his attention, asked for as much detail as I could give him, including the director's name, and then he obviously acted swiftly.