I think that A Week-end in the Country is one of the greatest numbers in the past 60 years. it is perfect, weaving in so many characters and perspectives on the benefits and challenges facing the individual characters contemplating a weekend in the country. Brilliantly written, staged and performed, especially written. To me it was the highlight of the show.
WhenI think about the Trevor Nunn production, I am grateful that I got to see BP as Desiree and Lansbury AND Stritch as Mme Armfeldt. I thought that CZJ was fine in the role, certainly glamorous, burt for my money she paled next to BP, whose rendition of Send in the Clowns was the second best I have ever heard, and God knows we have all heard a zillion different interpretations. For the record, I do think that Johns' version was the most perfect, butI must admit that i do not remember even hearing Jean Simmons, who I would have killed to see.
However, when assessing the weaknesses of that production, it always start with A Weekend. The staging of that number was positively stupid, although the song remained great.
I saw ALNM on Broadway at least 3 and possibly 4 times in its original run. Interestingly, I was bored stiff during the first viewing. That is when I confirmed that i enjoy Sondheim musicals much better if I am already familiar with the music AND LYRICS. The only exception to that rule is Follies, probably due to the number of pastiche songs. After listening to the album a number of times, I ventured back and loved it...from then on. While I thought the Nunn production was mediocre, I still enjoyed all of it, and have thoroughly enjoyed all other versions I have seen. The Nunn version was the weakest of 7 - 8 different stagings I have seen.