AEA AGMA SM said: "DooWahDiddy said: "I agree with you, but it's not really fair (or true) to say there are no horns in the orchestration, when obviously there is a version that includes them. Plenty of theatres do the Broadway version; there are more harmonies, a bigger band, and some people just like to do "new" versions of shows."
Not to mention that as a theatre that typically works in rotating rep, it would make sense to use the larger orchestrations as they would probably have had those musicianson contract for at least some of the othershows in their season (at least when they began planning the season before our current situation arose)"
Also, for school productions who have lots of interested horn players they're not going to turn down, but they've already picked the show (even though I've never understood how Little Shop became a popular HS musical) and they need a version for a full band. (This may or may not be from personal experience.)
Back to the topic at hand, everyone's going nuts in the articles about Audrey and Seymour's, um, lack of intimate contact, but I'm more interested in how they'll handle certain other elements, including the plant swallowing Mushnik, Audrey, and Seymour and Orin slapping Audrey. Those seem like they would be harder to dramatize in other ways, and they're crucial to the plot.
"I think that when a movie says it was 'based on a true story,' oh, it happened - just with uglier people." - Peanut Walker, Shucked