If you mean putting the Barnes & Noble bonus tracks in running order with the main disc, the "Let Me Entertain You" Barnes & Noble dialogue track should follow "Baby June and Her Newsboys"/"Let Me Entertain You". The Cratchitt dialogue won't quite work because it consists of dialogue before and after "Dainty June and Her Farmboys". I'd put it after, just before "If Momma Was Married". "All I Need Is The Girl" Playoff should follow "All I Need Is The Girl". The Entr'acte should precede "Madame Rose's Toreadorables". The "Gimmick" playoff should follow "You Gotta Get a Gimmick". "The Strip" playoff should follow "The Strip". The Act Two finale dialogue should come after "Rose's Turn" and the Exit Music after that.
If you are trying to put the bonus tracks on the main disc into the order of the score as the alternate numbers, here are some suggestions. "Small World/Momma's Talking Soft" could precede or follow "Small World," (since "Momma's Talking Soft" quartet was the original concept for the scene). "Tomorrow's Mother's Day" and "Mother's Day" were both early ideas for the spot occupied by "Baby June and Her Newsboys," so put them after. "Nice, She Ain't" was intended for the end of the Chinese Restaurant scene, so put it after "You'll Never Get Away From Me". "Smile Girls" should follow "Toreadorables". "Who Needs Him" should follow "Gimmick". I think I would put "Three Wishes for Christmas" before "The Strip," so that when you are listening to it, you follow it up with focus back on Gypsy Rose Lee, instead of hearing an arbitrary production number before "Rose's Turn".
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 8/26/08 at 08:29 AM