"Many reviews have mentioned that Washington doesn't dominate the current production as much as James Earl Jones did in the original - maybe that's why Davis seems to have a more pivotal role now."
theatreguy---you have a very good point there. James Earl Jones was "gigantic" on that stage. A larger than life presence. I was always aware of Mary Alice as well, but she sort of snuck up on you and then POW in Act II. I've said this in other threads, but I went back to see it a second time because of her, not Jones. Her performance was so realistic, and even the "big drama" in the second act grew so naturally out of her. There was nothing "theatrical" about her performance. She was completely real, and it's very rare to see than on any stage ... when it feels like you're watching a person in their backyard (in this case), and you just happened to be sitting there during this moment in her life. It really was breathtaking.
I have no doubt that Viola is turning in a terrific performance in an award-worthy role. I just don't think of her character as being a "leading" presence on stage or in the story. It's not about the two of them, as it is (say) in Virginia Woolf? or On Golden Pond, or Cat on a Hot Tin Roof, etc. Those are two equal leading roles, and the story is about both of them. The wife in this story feels more like the mother in "Picnic," but with a much more powerful scene in Act 2.
But, as you say, without a dominating presence such as Jones in the driver's seat, the balance may have shifted, even if the writing hasn't.
"Jaws is the Citizen Kane of movies."
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