I haven’t seen it since reopening but it’s possible that the Eurydice being taken advantage of is played differently between Page and Hewitt. Hewitt might be more forward than Page.
I’ve written to Rachel Chavkin asking about the direction of a few things within the musical. I wanted clarity on something specific and she wrote back to me. Her answer helped understand my question and I’m excited to see the show again now knowing the direction on how she sees it vs what I, the audience member, was seeing from my seat. It wasn’t about Eurydice or Hades but it’s possible others have also written to her asking about that specifically and it’s possible they changed a few things to make it more clear for the viewer. Or, like I mentioned earlier, it’s just how the scene is played out with a new Hades.
Updated On: 9/5/21 at 04:36 PM