Phantom4ever said: "I saw the national tour of Chicago tonight, in Chicago! I have seen the Broadway production 29 times, so it was fun to compare and contrast the two productions.
The audience LOVED the show. So much cheering---dare I say MUCH more cheering than the last time I saw Chicago's Hamilton. However, there were some major sound issues. I would say that about 90% of Billy Flynn's lines were not heard, partly because of Eddie George's mumbling and partly because of the poor sound system. At first I thought maybe it was some weird directorial decision for the tour to have the chorus whisper, but then I realized as the show went on that the sound was not amped up enough for the cavernous Cadillac Palace. Quiet mics, no projected voices and a faulty sound design made quiet a few lines get lost.
Eddie George was fun to watch because I could tell he absolutely loved being on that stage. Especially during Reached for the Gun. Dylis Croman----my my my WHY is this woman not the permanent Velma on Broadway? She is so talented!!
Some tech differences: no elevator for Roxie at the top of the show; she simply walks up the stairs upstage. The stage right ladder swung on a hinge, but the stage left ladder was rolled out and rolled back. Weird, right? For the courtroom scene, the light rig did not fly in and was instead just a light panel underneath the "jury box" set. Razzle Dazzle was about 90% new choreographywith lots of acrobatic tricks that looked unique to the specific actor's talents. The song did not even start with a chorus boy gliding across the stage on his back to give Billy a baton. Instead, he was on the stage left ladder riding it like a bicycle--very strange but somehow effective. The orchestra was good but definitely not as polished as Broadway's. And yikes the precision during All That Jazz was not there; Velma was always a beat ahead of the chorus and several chorus members were definitely frustrated by it by the looks on their faces. Paul Vogt gave the longest Broadway Cares speech I've ever heard. Not that I'm complaining---it's a worthy cause, but the length of the speech did make quite a few people decide to get up and leave. All in all, a great show and I wish it were in town for more than a week!!!"
I onced asked Dylis Croman if she'd ever want to play Velma Kelly. She said she would love to.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)