The singing and dancing of Scott and the two-person Mennonettes seem swallowed up by the larger stage, and ticket prices as high as $116 demand either the kind of huge star that Scott has not yet become or a more fully realized theater piece.
Do we really need another revealing performance memoir with the subject treating the stage as a couch and the audience as a psychiatrist? They usually follow the basic pattern of the performer whining "My childhood was so screwed up, and I never got the attention or love I really needed; that's why I started acting" or singing or writing or designing dresses—or whatever. Well, we can use one more theatrical autobiography if it's as funny, quirky, and offbeat as Sherie Rene Scott's "Everyday Rapture," now in a Broadway transfer after a hit run at Second Stage last year. NY Review: 'Everyday Rapture'
Winer seems positive, based on the snippet, though not overly so:
'Everyday Rapture" is an easygoing end to a frantic Broadway season. This is Sherie Rene Scott's likable 90-minute, semiautobiographical musical - an Off-Broadway hit last summer at Second Stage and now the Roundabout Theatre's last-minute savior after the revival of "Lips Together, Teeth Apart" crumbled with the abrupt departure of Megan Mullally.
Matthew Murray at Talkin' Broadway is very positive:
"Scott, Scanlan, and director Michael Mayer have fashioned both women’s tales of joy, woe, and everything in between into a colorful, moving, and start-to-finish-fun evening that ranks as one of the most satisfying musicals Broadway has seen this season."