Ethel Merman, Ethel Merman, Ethel Merman, Ethel Merman and . . . Ethel Merman. No one else comes near. And I've seen them all and found much to like about their performances.
Merman, no question. Part of the equation is that the song was written to sit perfectly on that instrument, of course, so everyone else is going to be somewhat at a disadvantage.
Lansbury's "moment of madness" in "Roses" (or perhaps self-delusion) perfectly presaged her "Rose's Turn", which was totally brilliant.
In the Painted Babies documentary- 6-year-old Brooke squawking it out in her beauty pageant rehearsal, while her stage mother stands just offstage yelling at her.
The irony is priceless.
Like a firework unexploded
Wanting life but never
knowing how
Honestly, it's a shame Liza never got it together (when she was in form) to show us her Rose. Talk about a crazy "Mama...ma..ma...Mama" She would have knocked everyone's sox off!