I haven't been in all that many, but out of the ones I've seen shows in I really enjoyed the Marquis, Nederlander, and Golden Theater. They all felt very intimate and close to the action. I did not particularly enjoy the Gershwin. Its just so.... cavernous!
"I seem to have wandered into the BRAIN load-out thread... "
-best12bars
"Sorry I am a Theatre major not a English Major"
-skibumb5290
I liked the Vivian Beaumont. Call me crazy, but I also enjoyed Circle in the Square. I guess I like the idea of thrust stages. It gives the director and production so many more options. And it's a lot of fun to see a show from so many different angles. It really makes you feel like you're in the show. Or at least in the same environment as the characters. Piazza and Spelling Bee do a wonderful job at utilizing the thrust setting.
I love the Booth for plays and I like the Vivian Beaumont for musicals, it's such a great space.
I think if they fixed up Circle in the Square I would like it, I mean, I LOVE the Mark Taper in LA and it's the same sort of idea...but the Mark Taper is nicer :)
-Anyone want to turn anarchist with me?"Bless you and all who know you, oh wise and penguined one." ~YouWantItWhen????
"This table, he is over one hundred years old. If I could, I would take an old gramophone needle and run it along the surface of the wood. To hear the music of the voices. All that was said." - Doug Wright, I Am My Own Wife
I really like the Marquis. Even in the back row of the mezz, I felt very close to the action. I felt the same at the Minskoff, and loved the view of Broadway from the mezz lobby.
The seats at the Broadway are extremely uncomfortable. I spent an entire performance of Miss Saigon with a spring in my butt.
Except the Marquis' orchestra back row or two - the mezzanine cuts off the whole top of the proscenium, and they still charge full-price seats. When we saw Millie, we couldn't read the subtitles b/c the upper sightline was obscured. Bah!
The Majestic by Herbert J Krapp which looks very similar to a theater in Philadelphia called, I believe , the Forrest. I believe Mr Krapp was the architect on that as well. He also did the Walter Kerr
Studio 54 is indeed a nice house. It still has the stud lighting on the walls from its Studio 54 heydey days. The stage is hugh befitting its days originally as an opera house. The original chandelier is gone as are the smaller ones but a very nice looking house indeed
"No two shows are alike in the making. Each show is a living
piece of your life in a small unreal world with its own character
and integrity; its own new set of memorable experiences and
incredible happenings. You begin to love and adapt to its strangeness.
Dreams harden into substance. Values come into focus. You wish
it would never end. The dream world vanishes like mist before a
rising sun; part of you vanishes with it. And back you land in the
real world with a thud- fogged, uneasy, jittery, difficult to get
along with. There is only one cure. A new show. A new, small
unreal world; new visions, experiences, incredible happenings.
Again you love it, adapt to it, wish it would never end.
But end it does. Another part of you vanishes.
That's show business."-Anonymous
I could LIVE in the Gershwin. I love it. I also really like the Neil Simon, the actual theatre is so beautiful, and the stage works amazingly for Hairspray.
broadway- new amsterdam although seats are So close...and i liked the gershwin...... one of my favorites theaters though is actually in st louis- the Foxx....it's HUGE and beautiful