So what difference does it make? Do you dislike Oklahoma because it was based on a play? Do you love "in My Life" because it wasn't? Source material doesn't matter-- final results do.
Broadway, unlike Iron Chef, does not give points for orginality.
"In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last - only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life - beauty and the sadness. And that is why theater is life." - Sherie Rene Scott
I think that this is an interesting thread because there are a lot of people (including myself) who may not know that there is other source material behind most musicals. Not that it makes a difference on how we view the shows necessarily, but it's just good to know.
Having said that: What about Gypsy?
"If you've got something to say, say it, and think well of yourself while you're learning to say it better." - David Mamet
GYPSY was based on the memoirs of Gypsy Rose Lee, also called GYPSY
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
I forget who said it but, "On the Town" is based on a ballet (Who's title escapes me), created by Jerome Robbins.
I always kinda define an "Original" musical as one not based on an established piece, such as a novel, movie, play, tv series, etc. Otherwise you get into a LOT of semantics.
The ballet is called FANCY FREE and is revived by NYCB quite frequently.
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
Sid, for a real education, see a show then look at the source material and see how it's been changed. Gypsy is a great example; It was originally concieved as an old-fashioned tribute to the old days of vaudeville and burlesque, filled with dog acts & novelties. Arthur Laurents took it in an entirely different direction-- the story of an obsessed stage mother and what happens to a Mama when her baby grows up.
Very true JoeKv99. Also, several of the more interesting shows right now are based on other material including Spring Awakening and Grey Gardens--it's very interesting to see where the new creators take it. Even if the stories remain basically the same the tone and attitudes are very different.
Yes, we do need a third vampire musical.--Little Sally, Gypsy of the Year 2005.
Well, there wasn't even a Seurat biography. Very little is known of his actual life and even those few details were ignored by Lapine in creating the fictional character of Seurat in the musical (in real life there was no Dot, just a mistress named Madeleine who bore him two sons -- no daughter named Marie -- and she never left France for America with a baker or anyone else). Aside from the fact that the fictional Seurat in the musical was a painter who created the works mentioned in the show, every other detail about Seurat and all the other characters in the show were total inventions by Lapine, which, to me makes it an original musical.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Margo, what are your opinions on A Chorus Line. Would you consider it original or not?
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
I've always felt ACL was an original work. While some of the stories and monolgues were drawn from real life dancers in the tape sessions, Kirkwood and Dante still had the formidable task of shaping all of that voluminous material into a coherent two hour narrative and creating 19 distinct characters, some based in part on tiny pieces of the life stories of various dancers, but most of whom were wholly original creations. All writers borrow from somewhere (their own personal stories or those of family members, friends, acquaintances, strangers they meet or from books, films, television shows that are both fictional and non-fictional that they encounter). I think you can only call a show an "adapted" work if the plot and characters (real or fictional) came entirely from another source (book, play, film or history). The book writers of ACL didn't have a plot with a beginning, middle and end when they began writing the show and so they had to construct one from scratch. They also didn't have any pre-set characters and had to create those as well (and even those who are sort of based on some of the dancers in the tape sessions ended up being amalgams of several different people, with a lot of fiction and dramatic license mixed in). Some of the story songs only took a line or two of dialogue from the tape sessions and the rest was invented by Ed Kleban. Similarly some characters like Cassie, Zach and Bobby (his monologue was completely the fictional invention of Neil Simon), aren't based on anyone.
All in all, despite some dialogue being taken from real life, I think that the book writers, lyricist and composer (and Bennett) created an essentially new work with ACL -- one that had too much original invention and was simply too much of a departure from the bits and pieces of stories in those transcripts to be considered an "adapted work."
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Margo, if a musical is based on history--though not on a specific account or book do you still consider it an adaptation? I think there are several plays and musicals that have historical characters but are not adaptations.
Yes, we do need a third vampire musical.--Little Sally, Gypsy of the Year 2005.
I'm referring to shows like Floyd Collins--I don't believe it's based on a specific source (though I could be wrong). Evita, while based on the life of Eva Peron is not a slave to actual history. Nefertiti--though based on the Egyptian queen is pretty much a made up story.
Yes, we do need a third vampire musical.--Little Sally, Gypsy of the Year 2005.
Some more originals I've seen (just off the top of my head
Can-Can By the Beautiful Sea The Boy Friend On Your Toes The Saint of Bleecker Street Plain and Fancy Ankles Aweigh The Vamp Mr. Wonderful Happy Hunting Bells Are Ringing Brigadoon Jamaica Rumple Goldilocks Redhead The Music Man No Strings Mr. President Stop the World-I Want to Get Off The Road of the Greasepaint-The Smell of the Crowd Fade Out-Fade In Milk and Honey I Had a Ball On a Clear Day You Can See Forever Hair Company Follies Pippin Over Here! Pacific Overtures A Chorus Line The Magic Show The Act I Love My Wife Grease A Broadway Musical The Rink Grind Of The I Sing Let 'Em Eat Cake Starlight Express Anything Goes City of Angels Blood Brothers One Touch of Venus The Life Babes in Arms Sail Away Saturday Night Avenue Q
its kinda hard to create art without some sort of inspiration. ofcourse there are varying levels originality...i would never say beauty and the beast is as original as say urinetown...but be a little more specific as to what you would say is original. is something only original if it is based on someones life?
"This table, he is over one hundred years old. If I could, I would take an old gramophone needle and run it along the surface of the wood. To hear the music of the voices. All that was said." - Doug Wright, I Am My Own Wife
something does not have to be historically accurate to be considered adapted. if there were biographies out about Eva Peron that were read to gain knowledge for the show than it would not be original right? But for ACL the point of taping interviews with the dancers was to create a show and therefore would be considered original. Curtains like City of Angels is based on the old detective stories but does not draw any characters from them directly so I would think that they would be original. Pirate Queen is based on a book.