Kad said: "The big advantage that the NYPL has is its large archive that it has been building for decadesand its team of archivists, historians, researchers, and other staff. And if the NYPL is lacking in certain materials, it can easily work with peer institutions to obtain them to create an exhibit.It has legitimacy, experience, and collections that the MoB just lacks as a for-profit."
Exactly. I believe the Film Academy had also been collecting artifacts & bequests for years, or buying things from estate auctions, prior to the museum. To the MoB's credit, they have done some partnerships with the NYPL, Library of Congress, TDF, Costume Collection, Goodspeed, and other nonprofits to borrow or rent items. But it just doesn't go far enough.
They also just don't have the space and financial bandwidth for major revolving exhibitions, which would encourage return attendance by New Yorkers.
For me, the big missed opportunity is that they haven't leaned into what we sometimes derogatorily call "museum pieces": Recreation. Like..."we recreated, designed, & filmed 4 dance numbers from old Broadway shows that flopped, using the original design plans & choreo notes. You can only see them here. And in the next room you can see piece by piece how we put that together." But that's not cheap and it's not going to appeal to the general population.
Updated On: 10/27/24 at 01:00 PM